| The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny Contributor(s): Castle, Terry (Author) |
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ISBN: 019508098X ISBN-13: 9780195080988 Publisher: Oxford University Press, USA OUR PRICE: $97.02 Product Type: Paperback - Other Formats Published: May 1995 Annotation: The work of leading scholar Terry Castle features essays on phantasmagoria in 18th-century literature and culture. Taking as her emblem the fanciful "female thermometer", an imaginary instrument invented by 18th-century satirists to measure levels of female sexual arousal, Castle explores the ways in which the rationalist imperative of the age paradoxically worked to produce the "impinging strangeness" of the 18th-century imagination. |
| Additional Information |
| BISAC Categories: - Literary Criticism | English, Irish, Scottish, Welsh - History | Modern - 18th Century |
| Dewey: 820.937 |
| LCCN: 94034700 |
| Series: Ideologies of Desire |
| Physical Information: 0.85" H x 6.07" W x 9.12" (0.99 lbs) 288 pages |
| Themes: - Chronological Period - 18th Century - Cultural Region - British Isles - Sex & Gender - Feminine |
| Descriptions, Reviews, Etc. |
| Publisher Description: The work of leading scholar Terry Castle, called by the New York Times always engaging...consistently fascinating, has helped to revolutionize eighteenth-century studies. The Female Thermometer brings together Castle's essays on the phantasmagoric side of eighteenth-century literature and culture. Taking as her emblem the fanciful female thermometer, an imaginary instrument invented by eighteenth-century satirists to measure levels of female sexual arousal, Castle explores what she calls the impinging strangeness of the eighteenth-century imagination--the ways in which the rationalist imperatives of the age paradoxically worked to produce what Freud would later call the uncanny. In essays on doubling and fantasy in the novels of Defoe and Richardson, sexual impersonators and the dream-like world of the eighteenth-century masquerade, magic-lantern shows, automata, and other surreal inventions of Enlightenment science, and the hallucinatory obsessions of Gothic fiction, Castle offers a haunting portrait of a remarkable epoch. Her collection explores the links between material culture, gender, and the rise of modern forms and formulas of subjectivity, effectively rewriting the cultural history of modern Europe from a materialist and feminist perspective. |