'Grossly Material Things': Women and Book Production in Early Modern England Contributor(s): Smith, Helen (Author) |
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ISBN: 0199651582 ISBN-13: 9780199651580 Publisher: Oxford University Press, USA OUR PRICE: $156.75 Product Type: Hardcover - Other Formats Published: August 2012 |
Additional Information |
BISAC Categories: - Business & Economics | Commerce - Literary Criticism | English, Irish, Scottish, Welsh - Literary Criticism | Women Authors |
Dewey: 381.450 |
LCCN: 2012004253 |
Physical Information: 0.75" H x 5.5" W x 8.5" (1.09 lbs) 270 pages |
Themes: - Cultural Region - British Isles - Sex & Gender - Feminine |
Descriptions, Reviews, Etc. |
Publisher Description: In A Room of One's Own, Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts. This book takes Woolf's brief hint as its starting point, asking who made the books of the English Renaissance, and what the material circumstances were in which they did so. It charts a new history of making and use, recovering the ways in which women shaped and altered the books of this crucial period, as co-authors, editors, translators, patrons, printers, booksellers, and readers. Drawing on evidence from a wide range of sources, including court records, letters, diaries, medical texts, and the books themselves, 'Grossly Material Things' moves between the realms of manuscript and print, and tells the stories of literary, political, and religious texts from broadside ballads to plays, monstrous birth pamphlets to editions of the Bible. In uncovering the neglected history of women's textual labours, and the places and spaces in which women went about the business of making, Helen Smith offers a new perspective on the history of books and reading. Where Woolf believed that Shakespeare's sister, had she existed, would have had no opportunity to pursue a literary career, 'Grossly Material Things' paints a compelling picture of Judith Shakespeare's varied job prospects, and promises to reshape our understanding of gendered authorship in the English Renaissance. |