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Cultural Graphology: Writing After Derrida
Contributor(s): Fleming, Juliet (Author)
ISBN: 022639042X     ISBN-13: 9780226390420
Publisher: University of Chicago Press
OUR PRICE:   $98.01  
Product Type: Hardcover
Published: September 2016
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Literary Criticism | Modern - General
- Philosophy | History & Surveys - Modern
- Philosophy | Movements - Deconstruction
Dewey: 194
LCCN: 2016001194
Physical Information: 0.8" H x 5.7" W x 8.6" (0.80 lbs) 176 pages
Themes:
- Chronological Period - Modern
 
Descriptions, Reviews, Etc.
Publisher Description:
"Cultural Graphology" could be the name of a new human science: this was Derrida's speculation when, in the late 1960s, he imagined a discipline that combined psychoanalysis, deconstruction, and a commitment to the topic of writing. He never undertook the project himself but did leave two brief sketches of how he thought cultural graphology might proceed. In this book, Juliet Fleming picks up where Derrida left off. Using both his early and later thought, and the psychoanalytic texts to which it is addressed, to examine the print culture of early modern England, she drastically unsettles some key assumptions of book history.

Fleming shows that the single most important lesson to survive from Derrida's early work is that we do not know what writing is. Channeling Derrida's thought into places it has not been seen before, she examines printed errors, spaces, and ornaments (topics that have hitherto been marginal to our accounts of print culture) and excavates the long-forgotten reading practice of cutting printed books. Proposing radical deformations to the meanings of fundamental and apparently simple terms such as "error," "letter," "surface," and "cut," Fleming opens up exciting new pathways into our understanding of writing all told.


Contributor Bio(s): Fleming, Juliet: - Juliet Fleming is professor of English and director of Graduate Studies for the Master's Program in the department of English at New York University. She is the author of Graffiti and the Writing Arts of Early Modern England.