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Taking the Train: How Graffiti Art Became an Urban Crisis in New York City
Contributor(s): Austin, Joe (Author)
ISBN: 0231111436     ISBN-13: 9780231111430
Publisher: Columbia University Press
OUR PRICE:   $39.60  
Product Type: Paperback - Other Formats
Published: January 2002
Qty:
Annotation: In the 1960s and early 1970s, young people in New York City radically altered the tradition of writing their initials on neighborhood walls. Influenced by the widespread use of famous names on billboards, in neon, in magazines, newspapers, and typographies from advertising and comics, city youth created a new form of expression built around elaborately designed names and initials displayed on public walls, vehicles, and subways. Critics called it "graffiti," but to the practitioners it was "writing."

"Taking the Train" traces the history of "writing" in New York City against the backdrop of the struggle that developed between the city and the writers. Austin tracks the ways in which "writing" -- a small, seemingly insignificant act of youthful rebellion -- assumed crisis-level importance inside the bureaucracy and the public relations of New York City mayoral administrations and the Metropolitan Transportation Authority for almost two decades. "Taking the Train" reveals why a global city short on funds made "wiping out graffiti" an expensive priority while other needs went unfunded. Although the city eventually took back the trains, Austin eloquently shows how and why the culture of "writing" survived to become an international art movement and a vital part of hip-hop culture.

Additional Information
BISAC Categories:
- Social Science | Popular Culture
- Social Science | Sociology - Urban
- Art | Popular Culture
Dewey: 751.730
LCCN: 2001042139
Lexile Measure: 1590
Series: Popular Cultures, Everyday Lives
Physical Information: 0.9" H x 6" W x 8.9" (1.15 lbs) 400 pages
Themes:
- Demographic Orientation - Urban
- Geographic Orientation - New York
- Locality - New York, N.Y.
- Cultural Region - Mid-Atlantic
- Cultural Region - Northeast U.S.
 
Descriptions, Reviews, Etc.
Publisher Description:
In the 1960s and early 1970s, young people in New York City radically altered the tradition of writing their initials on neighborhood walls. Influenced by the widespread use of famous names on billboards, in neon, in magazines, newspapers, and typographies from advertising and comics, city youth created a new form of expression built around elaborately designed names and initials displayed on public walls, vehicles, and subways. Critics called it "graffiti," but to the practitioners it was "writing."

Taking the Train traces the history of "writing" in New York City against the backdrop of the struggle that developed between the city and the writers. Austin tracks the ways in which "writing"-- a small, seemingly insignificant act of youthful rebellion--assumed crisis-level importance inside the bureaucracy and the public relations of New York City mayoral administrations and the Metropolitan Transportation Authority for almost two decades. Taking the Train reveals why a global city short on funds made "wiping out graffiti" an expensive priority while other needs went unfunded. Although the city eventually took back the trains, Austin eloquently shows how and why the culture of "writing" survived to become an international art movement and a vital part of hip-hop culture.