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Literature and Film in Cold War South Korea: Freedom's Frontier
Contributor(s): Hughes, Theodore (Author)
ISBN: 0231157487     ISBN-13: 9780231157483
Publisher: Columbia University Press
OUR PRICE:   $103.95  
Product Type: Hardcover
Published: March 2012
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Literary Criticism | Asian - General
- History | Asia - Korea
- Art | History - Contemporary (1945- )
Dewey: 895.709
LCCN: 2011030288
Series: Columbia Studies in Terrorism and Irregular Warfare
Physical Information: 0.9" H x 6.1" W x 9.1" (1.10 lbs) 304 pages
Themes:
- Cultural Region - Asian
- Cultural Region - East Asian
 
Descriptions, Reviews, Etc.
Publisher Description:
Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910-1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea.

Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea's colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization.


Contributor Bio(s): Hughes, Theodore: - Theodore Hughes is Korea Foundation Associate Professor of Korean Studies in the Humanities in Columbia's EALAC. He is the author of Literature and Film in Cold War South Korea: Freedom's Frontier (Columbia University Press, 2012), which won the James B. Palais Book Prize of the Association for Asian Studies.