Limit this search to....

Passing for Spain: Cervantes and the Fictions of Identity
Contributor(s): Fuchs, Barbara (Author)
ISBN: 0252027817     ISBN-13: 9780252027819
Publisher: University of Illinois Press
OUR PRICE:   $35.64  
Product Type: Hardcover
Published: December 2002
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Passing for Spain charts the intersections of identity, nation, and literary representation in early modern Spain. Barbara Fuchs analyzes the trope of passing in Don Quijote and other works by Cervantes, linking the use of disguise to the broader historical and social context of Counter-Reformation Spain and the religious and political dynamics of the Mediterranean Basin. In five lucid and engaging chapters, Fuchs examines what passes in Cervantes's fiction: gender and race in Don Quijote and "Las dos doncellas"; religion in "El amante liberal" and La gran sultana; national identity in the Persiles and "La espanola inglesa." She argues that Cervantes represents cross-cultural impersonation--or characters who pass for another gender, nationality, or religion--as challenges to the state's attempts to assign identities and categories to proper Spanish subjects. Fuchs demonstrates the larger implications of this challenge by bringing a wide range of literary and political texts to bear on Cervantes's representations. Impeccably researched, Passing for Spain examines how the fluidity of individual identity in early modern Spain undermined a national identity based on exclusion and difference.
Additional Information
BISAC Categories:
- Literary Criticism | European - Spanish & Portuguese
Dewey: 863.3
LCCN: 2002004978
Series: Hispanisms (University of Illinois)
Physical Information: 0.73" H x 6.14" W x 9.46" (0.81 lbs) 160 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Passing for Spain charts the intersections of identity, nation, and literary representation in early modern Spain. Barbara Fuchs analyzes the trope of passing in Don Quijote and other works by Cervantes, linking the use of disguise to the broader historical and social context of Counter-Reformation Spain and the religious and political dynamics of the Mediterranean Basin.

In five lucid and engaging chapters, Fuchs examines what passes in Cervantes's fiction: gender and race in Don Quijote and "Las dos doncellas"; religion in "El amante liberal" and La gran sultana; national identity in the Persiles and "La espa ola inglesa." She argues that Cervantes represents cross-cultural impersonation -- or characters who pass for another gender, nationality, or religion -- as challenges to the state's attempts to assign identities and categories to proper Spanish subjects.

Fuchs demonstrates the larger implications of this challenge by bringing a wide range of literary and political texts to bear on Cervantes's representations. Impeccably researched, Passing for Spain examines how the fluidity of individual identity in early modern Spain undermined a national identity based on exclusion and difference.