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Noah's Ark: Essays on Architecture
Contributor(s): Damisch, Hubert (Author), Vidler, Anthony (Editor)
ISBN: 0262528584     ISBN-13: 9780262528580
Publisher: MIT Press
OUR PRICE:   $31.46  
Product Type: Paperback - Other Formats
Published: February 2016
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Architecture | History - General
- Architecture | Criticism
Dewey: 720.1
LCCN: 2015038269
Series: Writing Architecture
Physical Information: 0.9" H x 5.5" W x 7.8" (1.30 lbs) 392 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
From Noah's Ark to Diller + Scofidio's "Blur" Building, a distinguished art historian maps new ways to think about architecture's origin and development.

Trained as an art historian but viewing architecture from the perspective of a "displaced philosopher," Hubert Damisch in these essays offers a meticulous parsing of language and structure to "think architecture in a different key," as Anthony Vidler puts it in his introduction. Drawn to architecture because it provides "an open series of structural models," Damisch examines the origin of architecture and then its structural development from the nineteenth through the twenty-first centuries. He leads the reader from Jean-Fran ois Blondel to Eug ne Viollet-le-Duc to Mies van der Rohe to Diller + Scofidio, with stops along the way at the Temple of Jerusalem, Vitruvius's De Architectura, and the Louvre. In the title essay, Damisch moves easily from Diderot's Encylop die to Noah's Ark (discussing the provisioning, access, floor plan) to the Pan American Building to Le Corbusier to Ground Zero. Noah's Ark marks the origin of construction, and thus of architecture itself. Diderot's Encylop die entry on architecture followed his entry on Noah's Ark; architecture could only find its way after the Flood.

In these thirteen essays, written over a span of forty years, Damisch takes on other histories and theories of architecture to trace a unique trajectory of architectural structure and thought. The essays are, as Vidler says, "a set of exercises" in thinking about architecture.


Contributor Bio(s): Damisch, Hubert: - Hubert Damisch is Emeritus Professor of the History and Theory of Art at the École des Hautes Études en Sciences Sociales, Paris. Over the course of a long and distinguished career, he has held posts at Cornell University, Columbia University, and the Center for Advanced Studies in the Visual Arts, Washington. He is the author of The Origin of Perspective, The Judgment of Paris, Skyline: The Narcissistic City, and A Theory of Cloud: Toward a History of Painting.Vidler, Anthony: - Anthony Vidler is Dean and Professor of the Irwin S. Chanin School of Architecture at The Cooper Union, New York. He is the author of Warped Space: Art, Architecture, and Anxiety in Modern Culture (2000), and The Architectural Uncanny: Essays in the Modern Unhomely (1992), both published by The MIT Press, and other books.Vidler, Anthony: - Anthony Vidler is Dean and Professor of the Irwin S. Chanin School of Architecture at The Cooper Union, New York. He is the author of Warped Space: Art, Architecture, and Anxiety in Modern Culture (2000), and The Architectural Uncanny: Essays in the Modern Unhomely (1992), both published by The MIT Press, and other books.Davidson, Cynthia: - Cynthia Davidson is the editor of ANY Magazine, the director of Anyone Corporation, and a member of the editorial board of the Writing Architecture series (MIT Press).