| Historia Universal de la Infamia / A Universal History of Infamy Contributor(s): Borges, Jorge Luis (Author) |
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ISBN: 0307950956 ISBN-13: 9780307950956 Publisher: Vintage Espanol OUR PRICE: $14.36 Product Type: Paperback - Other Formats Language: Spanish Published: September 2012 |
| Additional Information |
| BISAC Categories: - Fiction | Short Stories (single Author) - Fiction | Magical Realism - Fiction | Literary |
| Dewey: FIC |
| Physical Information: 0.5" H x 5.2" W x 7.9" (0.35 lbs) 144 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: "A veces creo que los buenos lectores son cisnes aun m s tenebrosos y singulares que los buenos autores". --Jorge Luis Borges En su primer libro de ficci n, Borges trabaja con biograf as de ladrones y rufianes verdaderos; personajes traidores y a veces tambi n heroicos. Aqu est n, entre otros, Lazarus Morell, redentor de esclavos; el impostor Tom Castro, hijo perdido y encontrado; y la viuda y pirata Ching, h bil en el saqueo de altamar. A estos le siguen "Hombre de la esquina rosada", uno de sus relatos m s celebrados; y "Etc tera", un testimonio de sus incontables lecturas. Relatos que juegan a falsear y alterar historias ajenas, infundidos con el puro placer de contar cuentos, Historia universal de la infamia anunci la llegada de una voz literaria totalmente original. "No hay nadie como Borges". --The New York Times ENGLISH DESCRIPTION A Universal History of Infamy, the first of Borges' four volumes of short stories, was originally published in an Argentine newspaper of the 1930s. As well as chronicling the lives of famous or little-known villains, Borges perpetrates a literary hoax or two, a technique for which he later won acclaim. The collection also includes the popular 'Streetcorner Man', Borges' earliest short story. The volume was conceived by Borges to be no more than light entertainment. Yet after it appeared in 1935 its influences on the fiction of Latin America was so profound that its publication date bcame a landmark in the history of Latin American literature. I love his work because every one of his pieces contains a model of the universe or an attribute of the universe . . . because his stories often take the outer form of some genre from popular literature, a form proved by long usage, which creates almost mythical structures. -Italo Calvino |