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A Morbid Fascination: White Prose and Politics in Apartheid South Africa
Contributor(s): Peck, Richard (Author)
ISBN: 0313300917     ISBN-13: 9780313300912
Publisher: Praeger
OUR PRICE:   $94.05  
Product Type: Hardcover
Published: February 1997
Qty:
Annotation: Using a broad range of literature to examine the political culture of white South Africa, Peck finds both a preoccupation with political issues and a dislike for politics. The literature examined ranges from South African propaganda, through a variety of bestsellers--adventure stories and mystery novels written by authors such as Wilbur Smith and James McClure--to self-conscious literary works of the canonical white South African authors such as Alan Paton, Andre Brink, and Nadine Gordimer. The study gives attention to anti-political features of the liberal tradition that dominated South African writing, and to the failure of writers who undermined that tradition to generate a more positive view of politics. The morbid fascination with politics that is found across the full spectrum of creative writing is a reflection of the circumstances in which writers found themselves, but it is still a worrisome feature of the white South African political culture.
Additional Information
BISAC Categories:
- Political Science
- Literary Criticism
Dewey: 823
LCCN: 96027387
Series: Contributions to the Study of World Literature
Physical Information: 0.86" H x 6.18" W x 9.3" (1.12 lbs) 216 pages
Themes:
- Cultural Region - Southern Africa
 
Descriptions, Reviews, Etc.
Publisher Description:

Using a broad range of literature to examine the political culture of white South Africa, Peck finds both a preoccupation with political issues and a dislike for politics. The literature examined ranges from South African propaganda, through a variety of bestsellers--adventure stories and mystery novels written by authors such as Wilbur Smith and James McClure--to self-conscious literary works of the canonical white South African authors such as Alan Paton, Andr Brink, and Nadine Gordimer. The study gives attention to anti-political features of the liberal tradition that dominated South African writing, and to the failure of writers who undermined that tradition to generate a more positive view of politics. The morbid fascination with politics that is found across the full spectrum of creative writing is a reflection of the circumstances in which writers found themselves, but it is still a worrisome feature of the white South African political culture.