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Brecht Collected Plays: Three: St Joan of the Stockyards, the Mother, and Six Lehrstcke
Contributor(s): Brecht, Bertolt (Author), Willett, John (Editor)
ISBN: 0413704602     ISBN-13: 9780413704603
Publisher: Bloomsbury Publishing PLC
OUR PRICE:   $31.30  
Product Type: Paperback
Published: March 2012
Qty:
Annotation: Volume Three of Brecht's Collected Plays brings together work from 1929 to 1933, a crucial period of creativity for Brecht. St Joan of the Stockyards, a battle of good and evil set in a mythical Chicago, is full of pastiche and parody. The Lehrstcke or short "didactic" pieces, Lindbergh's Flight, The Baden-Baden Lesson on Consent, He Said Yes / He Said No, The Decision, The Exception and the Rule, and The Horatians and the Curiatians, spare and highly formalized, show Brecht rejecting conventional theatre and seeking new forms of expression. The Mother, based on Gorky's novel, contains one of Brecht's great female roles.

The volume, edited and introduced by John Willett, includes Brecht's own notes and all the important textual variants.

Additional Information
BISAC Categories:
- Drama | European - General
Dewey: 832.912
Series: Methuen World Classics
Physical Information: 1.1" H x 5" W x 8" (1.10 lbs) 464 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

The most comprehensive and authoritative editions of Brecht's plays in the English language

Volume Three of Brecht's Collected Plays includes St Joan of the Stockyards - a play which recasts St Joan as Joan Dark springing hope into the hearts of factory workers at the mercy of meatpacker king Pierpont Mauler threatening cuts in the Depression; and the Lehrst cke or short 'didactic' pieces written during the years 1929 to 1933, are some of his most experimental work. Lindbergh's Flight, The Baden-Baden Lesson on Consent, He Said Yes / He Said No, The Decision, The Exception and the Rule, and The Horatians and the Curiatians reject conventional theatre; they are spare and highly formalised, drawing on traditional Japanese and Chinese forms. They show Brecht in collaboration with the composers Hindemith, Weill and Eisler, influenced by the new techniques of montage in the visual arts and seeking new means of expression. Also included is The Mother, based on Gorky's novel about the progress of a factory strike in Tver and the journey of a peasant mother from illiteracy to card-carrying communism.


The translators include H R Hays (The Horatians and the Curiatians), Ralph Manheim (St Joan of the Stockyards), Tom Osborn (The Exception and the Rule), Geoffrey Skelton (The Baden-Baden Lesson on Consent), John Willett (Lindbergh's Flight;The Decision;The Mother) and Arthur Waley (He Said Yes / He Said No). The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants.


Contributor Bio(s): Brecht, Bertolt: -

Bertolt Brecht (1898-1956) is acknowledged as one of the great dramatists whose plays, work with the Berliner Ensemble and critical writings have had a considerable influence on the theatre. His landmark plays include The Threepenny Opera, Fear and Misery of the Third Reich, The Life of Galileo, Mother Courage and Her Children and The Caucasian Chalk Circle.