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Drama/Theatre/Performance
Contributor(s): Shepherd, Simon (Author), Wallis, Mick (Author)
ISBN: 041523493X     ISBN-13: 9780415234931
Publisher: Routledge
OUR PRICE:   $94.95  
Product Type: Hardcover - Other Formats
Published: September 2004
Qty:
Annotation: What should we call the study of the performing arts? 'Drama', 'theatre' and 'performance' each identify with a different tradition of thought and offer different possibilities to the student or practitioner.
This book examines the history and use of the terms 'Drama', 'theatre' and performance' and investigates the different philosophies, politics, languages and institutions with which they are associated.
Simon Shepherd and Mick Wallis:
*Analyse attitudes to drama, theatre and performance at different historical junctures
*Trace a range of political interventions into the field(s)
*Explore and contextualise the institutionalisation of drama as a university subject, then the emergence of performance' as practice, theory and academic discipline
*Guide readers through major approaches to drama, theatre and performance, from theatre history to theories of play and presence
*Discuss crucial terms such as action, alienation, catharsis, character, empathy, interculturalism, mimesis, presence or representation in a substantial 'keywords' section.
Continually linking their analysis to wider cultural concerns, the authors here offer the most wide-ranging and authoritative guide available to a vibrant, fast-moving field and its hotly contested debates.
Additional Information
BISAC Categories:
- Performing Arts | Theater - History & Criticism
- Literary Criticism | Drama
Dewey: 809.2
LCCN: 2004004476
Series: New Critical Idiom (Hardcover)
Physical Information: 0.98" H x 5" W x 8.04" (0.85 lbs) 272 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

What is implied when we refer to the study of performing arts as 'drama', 'theatre' or 'performance'? Each term identifies a different tradition of thought and offers different possibilities to the student or practitioner. This book examines the history and use of the terms and investigates the different philosophies, politics, languages and institutions with which they are associated. Simon Shepherd and Mick Wallis:

  • analyze attitudes to drama, theatre and performance at different historical junctures
  • trace a range of political interventions into the field(s)
  • explore and contextualise the institutionalisation of drama and theatre as university subjects, then the emergence of 'performance' as practice, theory and academic disciplines
  • guide readers through major approaches to drama, theatre and performance, from theatre history, through theories of ritual or play, to the idea of performance as paradigm for a postmodern age
  • discuss crucial terms such as action, alienation, catharsis, character, empathy, interculturalism, mimesis, presence or representation in a substantial 'keywords' section.

Continually linking their analysis to wider cultural concerns, the authors here offer the most wide-ranging and authoritative guide available to a vibrant, fast-moving field and vigorous debates about its nature, purpose and place in the academy.