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Critical Theory and Performance: Revised and Enlarged Edition Revised Edition
Contributor(s): Reinelt, Janelle G. (Editor), Roach, Joseph (Editor)
ISBN: 0472098861     ISBN-13: 9780472098866
Publisher: University of Michigan Press
OUR PRICE:   $94.05  
Product Type: Hardcover - Other Formats
Published: July 2006
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: "Critical Theory and Performance" presents a broad range of critical and theoretical methods and applies them to contemporary and historical performance genres--from stage plays, dance-dramas, performance art, cabaret, stand-up comedy, and jazz to circus, street theater, and shamanistic ritual. As the first comprehensive introduction to critical theory's rich and diverse contributions to the study of drama, theater, and performance, the book has been highly influential for more than a decade in providing fertile ground for academic investigations in the lively field of performance studies.
This updated and expanded edition presents nineteen new essays by the field's leading scholars and practitioners as well as new critical introductions by editors Janelle G. Reinelt and Joseph R. Roach. Reflecting recent trends in performance studies, this revised edition now includes discussions of critical race theory, postcolonial studies, gender and sexualities, and mediatized cultures. The resulting volume is a unique and indispensable tool for critics, teachers, and students that paves the way for future scholarship.
Janelle G. Reinelt is Professor of Theatre and Performance at the University of Warwick. Reinelt and Roach
Joseph R. Roach is Charles C. and Dorathea S. Dilley Professor of Theater and English at Yale University.
""Critical Theory and Performance "signals the self-empowered emergence of theatre and performance studies into the broader fray of contemporary scholarship . . . a first-of-its-kind resource which many scholars will keep close at hand and which future graduate students would do well to consider required reading for programs in theatre history, dramaticcriticism, or performance studies."
--"TDR"

Additional Information
BISAC Categories:
- Performing Arts | Theater - History & Criticism
Dewey: 792.01
LCCN: 2006050195
Series: Theater: Theory/Text/Performance (Hardcover)
Physical Information: 1.7" H x 7.3" W x 10.1" (3.08 lbs) 608 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

Critical Theory and Performance presents a broad range of critical and theoretical methods and applies them to contemporary and historical performance genres--from stage plays, dance-dramas, performance art, cabaret, stand-up comedy, and jazz to circus, street theater, and shamanistic ritual. As the first comprehensive introduction to critical theory's rich and diverse contributions to the study of drama, theater, and performance, the book has been highly influential for more than a decade in providing fertile ground for academic investigations in the lively field of performance studies.

This updated and expanded edition presents nineteen new essays by the field's leading scholars and practitioners as well as new critical introductions by editors Janelle G. Reinelt and Joseph R. Roach. Reflecting recent trends in performance studies, this revised edition now includes discussions of critical race theory, postcolonial studies, gender and sexualities, and mediatized cultures. The resulting volume is a unique and indispensable tool for critics, teachers, and students that paves the way for future scholarship.

Janelle G. Reinelt is Professor of Theatre and Performance at the University of Warwick. Reinelt and Roach

Joseph R. Roach is Charles C. and Dorathea S. Dilley Professor of Theater and English at Yale University.

"Critical Theory and Performance signals the self-empowered emergence of theatre and performance studies into the broader fray of contemporary scholarship . . . a first-of-its-kind resource which many scholars will keep close at hand and which future graduate students would do well to consider required reading for programs in theatre history, dramatic criticism, or performance studies."

--TDR