| The Totality for Kids: Volume 16 Contributor(s): Clover, Joshua (Author), Bedient, Calvin (Editor), Hass, Robert (Editor) |
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ISBN: 0520246004 ISBN-13: 9780520246003 Publisher: University of California Press OUR PRICE: $24.70 Product Type: Paperback - Other Formats Published: April 2006 Annotation: "Fierce intelligence, fierce understanding of social issues, and fierce sense of the power of artifice. This is major work, haunted by a sense of totality always present in the formal intricacy and in the roles cities and architecture play. I think of these poems as crossing the cool, allusive intricacy of Quentin Tarantino with the abstract, intense social passion of Walter Benjamin."--Charles Altieri, author of "The Art of Twentieth-Century American Poetry: Modernism and After ""The Totality for Kids is a stunning collection that charts the 'the modern and its endnotes, ' as voiced in one Clover poem. There is no conceptual abstraction here without its color, motion, and syntax. The poems form an urban and linguistic landscape of contemporary life, in many ways, written in the shadow of Adorno who himself wrote in the shadows of the modern. In this brilliant volume, the fragmented world of a late and lost modernity has its own moving and lucid affect, its forms of aliveness. We encounter here an enormous clarity of language in the service of a poetics that brilliantly queries our historical moment in and as form."--Judith Butler, author of "Precarious Life: Powers of Mourning and Violence |
| Additional Information |
| BISAC Categories: - Poetry | American - General |
| Dewey: 811.54 |
| LCCN: 2005021231 |
| Series: New California Poetry (Paperback) |
| Physical Information: 0.4" H x 5.9" W x 8.1" (0.30 lbs) 88 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: The Totality for Kids is the second collection of poems by Joshua Clover, whose debut, Madonna anno domini, won the Walt Whitman award from the Academy of American Poets. This volume takes as its subject the troubled sleep of late modernity, from the grandeur and failure of megacities to the retreats and displacements of the suburbs. The power of crowds and architecture commingles with the alienation and idleness of the observer, caught between "the brutal red dream/Of the collective" and "the parade/Of the ideal citizen." The book's action takes place in these gaps, "dead spaces beside the endlessly grieving stream." The frozen tableau of the spectacle meets its double in the sense that something is always about to happen. Political furies and erotic imaginings coalesce and escape within a welter of unmoored allusions, encounters, citations, and histories, the dreams possible within the modern's excess of signification--as if to return revolutionary possibility to the regime of information by singing it its own song. |