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Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los Angeles Volume 13
Contributor(s): Avila, Eric (Author)
ISBN: 0520248112     ISBN-13: 9780520248113
Publisher: University of California Press
OUR PRICE:   $28.66  
Product Type: Paperback - Other Formats
Published: April 2006
Qty:
Annotation: "In Popular Culture in the Age of White Flight, Eric Avila offers a unique argument about the restructuring of urban space in the two decades following World War II and the role played by new suburban spaces in dramatically transforming the political culture of the United States. Avila's work helps us see how and why the postwar suburb produced the political culture of 'balanced budget conservatism' that is now the dominant force in politics, how the eclipse of the New Deal since the 1970s represents not only a change of views but also an alteration of spaces."--George Lipsitz, author of "The Possessive Investment in Whiteness
Additional Information
BISAC Categories:
- History | United States - State & Local - West (ak, Ca, Co, Hi, Id, Mt, Nv, Ut, Wy)
- History | United States - 20th Century
- History | Social History
Dewey: 979.494
LCCN: 2003019072
Lexile Measure: 1730
Series: American Crossroads
Physical Information: 0.81" H x 6.16" W x 8.96" (0.99 lbs) 328 pages
Themes:
- Cultural Region - Southern California
- Geographic Orientation - California
- Locality - Los Angeles-Long Beach, CA
- Demographic Orientation - Urban
- Chronological Period - 1940's
- Chronological Period - 1950's
- Chronological Period - 1960's
- Chronological Period - 1970's
- Cultural Region - Western U.S.
- Cultural Region - West Coast
 
Descriptions, Reviews, Etc.
Publisher Description:
Los Angeles pulsed with economic vitality and demographic growth in the decades following World War II. This vividly detailed cultural history of L.A. from 1940 to 1970 traces the rise of a new suburban consciousness adopted by a generation of migrants who abandoned older American cities for Southern California's booming urban region. Eric Avila explores expressions of this new "white identity" in popular culture with provocative discussions of Hollywood and film noir, Dodger Stadium, Disneyland, and L.A.'s renowned freeways. These institutions not only mirrored this new culture of suburban whiteness and helped shape it, but also, as Avila argues, reveal the profound relationship between the increasingly fragmented urban landscape of Los Angeles and the rise of a new political outlook that rejected the tenets of New Deal liberalism and anticipated the emergence of the New Right.

Avila examines disparate manifestations of popular culture in architecture, art, music, and more to illustrate the unfolding urban dynamics of postwar Los Angeles. He also synthesizes important currents of new research in urban history, cultural studies, and critical race theory, weaving a textured narrative about the interplay of space, cultural representation, and identity amid the westward shift of capital and culture in postwar America.