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The Authenticity of Prometheus Bound
Contributor(s): Griffith, Mark (Author)
ISBN: 0521038146     ISBN-13: 9780521038140
Publisher: Cambridge University Press
OUR PRICE:   $63.64  
Product Type: Paperback - Other Formats
Published: July 2007
Qty:
Annotation: Prometheus Bound was accepted without question in antiquity as the work of Aeschylus, and most modern authorities endorse this ascription. But since the nineteenth century several leading scholars have come to doubt Aeschylean authorship. Dr Griffith here provides much the most thorough and wide-ranging study of the problem that has yet been made, and concludes: 'Had Prometheus Bound been newly dug up from the sands of Oxyrhynchus... few scholars would regard it as the work of Aeschylus.' After a preliminary assessment of the external evidence, Dr Griffith examines minutely the idiosyncrasies of metre, dramatic technique, vocabulary, syntax and expression to be found in the play, applying the same tests to other plays of Aeschylus, Sophocles and Euripides in order to provide a control for his methods. In his final chapter he discusses how the conditions surrounding the ancient transmission and cataloguing of texts may have led to the ascription to Aeschylus.
Additional Information
BISAC Categories:
- Literary Criticism | Ancient And Classical
- Drama | Ancient & Classical
Dewey: 882.01
Series: Cambridge Classical Studies
Physical Information: 1.1" H x 5.5" W x 8.4" (1.55 lbs) 432 pages
Themes:
- Chronological Period - Ancient (To 499 A.D.)
 
Descriptions, Reviews, Etc.
Publisher Description:
Prometheus Bound was accepted without question in antiquity as the work of Aeschylus, and most modern authorities endorse this ascription. But since the nineteenth century several leading scholars have come to doubt Aeschylean authorship. Dr Griffith here provides a thorough and wide-ranging study of this problem, and concludes: 'Had Prometheus Bound been newly dug up from the sands of Oxyrhynchus... few scholars would regard it as the work of Aeschylus.' After a preliminary assessment of the external evidence, Dr Griffith examines minutely the idiosyncrasies of metre, dramatic technique, vocabulary, syntax and expression to be found in the play, applying the same tests to other plays of Aeschylus, Sophocles and Euripides in order to provide a control for his methods. In his final chapter he discusses how the conditions surrounding the ancient transmission and cataloguing of texts may have led to the ascription to Aeschylus.