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Reading John Keats
Contributor(s): Wolfson, Susan J. (Author)
ISBN: 0521732794     ISBN-13: 9780521732796
Publisher: Cambridge University Press
OUR PRICE:   $22.79  
Product Type: Paperback - Other Formats
Published: May 2015
Qty:
Additional Information
BISAC Categories:
- Literary Criticism | English, Irish, Scottish, Welsh
Dewey: 821.7
LCCN: 2014046184
Series: Reading Writers and Their Work
Physical Information: 0.5" H x 5.9" W x 8.8" (0.70 lbs) 196 pages
Themes:
- Cultural Region - British Isles
 
Descriptions, Reviews, Etc.
Publisher Description:
John Keats (1795-1821), one of the best-loved poets of the Romantic period, is ever alive to words, discovering his purposes as he reads - not only books but also the world around him. Leading Keats scholar Susan J. Wolfson explores the breadth of his works, including his longest ever poem Endymion; subsequent romances, Isabella (a Boccaccio tale with a proto-Marxian edge admired by George Bernard Shaw), the passionate Eve of St Agnes and knotty Lamia; intricate sonnets and innovative odes; the unfinished Hyperion project (Keats's existential rethinking of epic agony); and late lyrics involved with Fanny Brawne, the bright (sometimes dark) star of his last years. Illustrated with manuscript pages, title-pages, and two portraits, Reading John Keats investigates the brilliant complexities of Keats's imagination and his genius in wordplay, uncovering surprises and new delights, and encouraging renewed respect for the power of Keats's thinking and the subtle turns of his writing.

Contributor Bio(s): Wolfson, Susan J.: - Susan J. Wolfson, Professor of English at Princeton University, New Jersey, is widely published in the fields of English Romanticism and poetic theory, including Keats-inspired sonnets in Literary Imagination (2010) and her books: The Romantics and their Contemporaries (co-edited with Peter Manning, 2010), Romantic Interactions: Social Being and the Turns of Literary Action (2010), John Keats, A Longman Cultural Edition (2007), The Cambridge Companion to John Keats (Cambridge, 2001) and Formal Charges (1997).