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Weird English Revised Edition
Contributor(s): Ch'ien, Evelyn Nien-Ming (Author)
ISBN: 0674018192     ISBN-13: 9780674018198
Publisher: Harvard University Press
OUR PRICE:   $31.68  
Product Type: Paperback - Other Formats
Published: October 2005
Qty:
Annotation:

With increasing frequency, readers of literature are encountering barely intelligible, sometimes unrecognizable languages created by combining one or more languages with English. Evelyn Ch'ien argues that weird English constitutes the new language of literature, implicitly launching a new literary theory.

Weird English explores experimental and unorthodox uses of English by multilingual writers traveling from the canonical works of Nabokov and Hong Kingston to the less critiqued linguistic terrain of Junot D& iacute; az and Arundhati Roy. It examines the syntactic and grammatical innovations of these authors, who use English to convey their ambivalence toward or enthusiasm for English or their political motivations for altering its rules. Ch'ien looks at how the collision of other languages with English invigorated and propelled the evolution of language in the twentieth century and beyond.

Ch'ien defines the allure and tactical features of a new writerly genre, even as she herself writes with a sassiness and verve that communicates her ideas with great panache.

Additional Information
BISAC Categories:
- Literary Criticism | Semiotics & Theory
- Philosophy | Aesthetics
Dewey: 823.910
Physical Information: 0.99" H x 5.02" W x 7.9" (0.64 lbs) 352 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

With increasing frequency, readers of literature are encountering barely intelligible, sometimes unrecognizable languages created by combining one or more languages with English. Evelyn Ch'ien argues that weird English constitutes the new language of literature, implicitly launching a new literary theory.

Weird English explores experimental and unorthodox uses of English by multilingual writers traveling from the canonical works of Nabokov and Hong Kingston to the less critiqued linguistic terrain of Junot Díaz and Arundhati Roy. It examines the syntactic and grammatical innovations of these authors, who use English to convey their ambivalence toward or enthusiasm for English or their political motivations for altering its rules. Ch'ien looks at how the collision of other languages with English invigorated and propelled the evolution of language in the twentieth century and beyond.

Ch'ien defines the allure and tactical features of a new writerly genre, even as she herself writes with a sassiness and verve that communicates her ideas with great panache.


Contributor Bio(s): Ch'ien, Evelyn Nien: - Evelyn Nien-Ming Ch'ien is Associate Professor of English at the University of Minnesota.