Genos Dikanikon: Amateur and Professional Speech in the Courtrooms of Classical Athens Contributor(s): Bers, Victor (Author) |
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ISBN: 0674032039 ISBN-13: 9780674032033 Publisher: Harvard University Press OUR PRICE: $15.79 Product Type: Paperback Published: October 2009 Annotation: Under the Athenian democracy, litigants were expected to speak for themselves, though they could memorize a speech written for them. The texts of about one hundred judicial speeches of the "genos dikanikon" (the forensic genre) have survived, all attributed to Demosthenes or another of the ten writers of canonical status. These professionals wrote either for themselves or members of a small elite. Victor Bers argues that men too poor to afford a professionally written speech frequently spoke before judicial bodies in procedures crucial to their status, wealth, or even their lives, and that these amateur performances often manifested an unmanly yielding to emotions of anger or fear; professional speech, Bers seeks to demonstrate, was to a large degree crafted in reaction to amateur stumbling. |
Additional Information |
BISAC Categories: - History | Ancient - Greece - Literary Criticism | Ancient And Classical - Performing Arts | Theater - History & Criticism |
Dewey: 347.385 |
LCCN: 2009016266 |
Series: Hellenic Studies |
Physical Information: 0.6" H x 5.9" W x 8.9" (0.60 lbs) 160 pages |
Themes: - Chronological Period - Ancient (To 499 A.D.) - Cultural Region - Greece |
Descriptions, Reviews, Etc. |
Publisher Description: Under the Athenian democracy, litigants were expected to speak for themselves, though they could memorize a speech written for them. The texts of about one hundred judicial speeches of the genos dikanikon (the forensic genre) have survived, all attributed to Demosthenes or another of the ten writers of canonical status. These professionals wrote either for themselves or members of a small elite. Victor Bers argues that men too poor to afford a professionally written speech frequently spoke before judicial bodies in procedures crucial to their status, wealth, or even their lives, and that these amateur performances often manifested an unmanly yielding to emotions of anger or fear; professional speech, Bers seeks to demonstrate, was to a large degree crafted in reaction to amateur stumbling. |
Contributor Bio(s): Bers, Victor: - Victor Bers is Professor of Classics at Yale University. |