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Euripides: Phoenician Women
Contributor(s): Papadopolou, Thalia (Author)
ISBN: 071563464X     ISBN-13: 9780715634646
Publisher: Bristol Classical Press
OUR PRICE:   $34.60  
Product Type: Paperback - Other Formats
Published: February 2008
Qty:
Annotation: Phoenician Women, one of Euripides' later tragedies, is an intriguing play that arguably displays some of his finest dramatic technique. Rich in cast and varied in incident, it is an example of Euripides' experimentation with structure. The play was very popular throughout antiquity, becoming part of the so-called 'Byzantine triad' (along with Hecuba and Orestes) of plays studied in the school curriculum.Thalia Papadopoulou here offers a thorough survey of the play in its historical context, against the background of Athenian tragedy and Euripidean dramaturgy. Employing various critical approaches, she investigates the literary tradition and the dynamics of intertextuality, Euripidean dramatic technique the use of rhetoric, characterization, gender, the function of the Chorus, aspects of performance and the reception of the play from antiquity to modern times.
Additional Information
BISAC Categories:
- Literary Criticism | Ancient And Classical
- Literary Criticism | Drama
Dewey: 882.01
Series: Companions to Greek and Roman Tragedy
Physical Information: 0.36" H x 5.46" W x 8.48" (0.45 lbs) 160 pages
Themes:
- Chronological Period - Ancient (To 499 A.D.)
- Cultural Region - Greece
 
Descriptions, Reviews, Etc.
Publisher Description:

Phoenician Women, one of Euripides' later tragedies, is an intriguing play that arguably displays some of his finest dramatic technique. Rich in cast and varied in incident, it is an example of Euripides' experimentation with structure. It dramatises the most fertile mythical tradition of the city of Thebes and its doomed royal family, focusing in particular on the conflict between Eteocles and Polyneices as a result of their father Oedipus' curse, which eventually leads to mutual fratricide. The play was very popular throughout antiquity, and became part of the so-called Byzantine Triad (along with Hecuba and Orestes), of plays studied in the school curriculum.Thalia Papadopoulou here offers a thorough survey of the play in its historical context, against the background of Athenian tragedy and Euripidean dramaturgy. Employing various critical approaches, she investigates the literary tradition and the dynamics of intertextuality, Euripidean dramatic technique, the use of rhetoric, characterisation, gender, the function of the Chorus, aspects of performance and the reception of the play from antiquity to modern times.