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Carmen de Burgos: Three Novellas: Confidencias, La Mujer Fría and Puñal de Claveles
Contributor(s): Lee Six, Abigail (Editor)
ISBN: 0719097118     ISBN-13: 9780719097119
Publisher: Manchester University Press
OUR PRICE:   $20.85  
Product Type: Paperback - Other Formats
Published: January 2016
Qty:
Additional Information
BISAC Categories:
- Literary Criticism | European - Spanish & Portuguese
- Literary Criticism | Comparative Literature
- Social Science | Women's Studies
Dewey: 863.62
LCCN: 2020455816
Series: Hispanic Texts
Physical Information: 0.36" H x 5.06" W x 7.81" (0.38 lbs) 168 pages
Themes:
- Sex & Gender - Feminine
 
Descriptions, Reviews, Etc.
Publisher Description:
This is a scholarly edition of three stories by Carmen de Burgos (1867-1932), including the unabridged texts, vocabulary, notes, chronology, bibliography, 'temas de debate y discusión', and a critical introduction. De Burgos, also known by her pen-name of 'Colombine', was an influential journalist, socio-political activist, and a key literary figure in the cultural ferment of pre-war Madrid. She is currently being rediscovered, having languished in a long and regrettable oblivion during the Franco years. Confidencias (1920) is the fictional diary of a young married woman, describing her first adulterous relationship and exploiting the narratological possibilities of the diary form. La mujer fría (1922) is a vampire story featuring perhaps the very first pitiable vampire, or at least one of the earliest examples of this type, whilst ingeniously maintaining undecidability as to whether the protagonist is supernatural. Puñal de claveles (1931) narrates a wedding-day elopement and was inspired by a news item, the so-called 'Crimen de Níjar' of 1928. Federico García Lorca drew on de Burgos's story and the real-life crime for his Bodas de sangre, but while his play is tragic, Puñal is bathed in a golden glow of nostalgia for the author's native Andalusia and ends optimistically. As well as making accessible three individually interesting and entertaining stories, this book offers a varied selection, with some of the issues closest to Colombine's heart tackled from different perspectives, but adding up to a coherent critique of marriage conventions, women's poor education, and prevailing ideals of femininity.