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Play and the Politics of Reading
Contributor(s): Armstrong, Paul B. (Author)
ISBN: 0801443253     ISBN-13: 9780801443251
Publisher: Cornell University Press
OUR PRICE:   $67.27  
Product Type: Hardcover - Other Formats
Published: February 2005
Qty:
Additional Information
BISAC Categories:
- Literary Criticism | English, Irish, Scottish, Welsh
- Literary Criticism | Semiotics & Theory
- Literary Criticism | Books & Reading
Dewey: 820.935
LCCN: 2004018217
Physical Information: 0.82" H x 6.3" W x 9.34" (0.97 lbs) 224 pages
Themes:
- Chronological Period - 20th Century
- Cultural Region - British Isles
 
Descriptions, Reviews, Etc.
Publisher Description:

Classrooms and curricula should be structured to foster the playful interaction that can teach students how to negotiate social and political differences in an emancipatory, noncoercive manner.... Teaching reading as a playful exercise of reciprocity with otherness can help prepare students for a democracy understood as a community of communities.--from the Pedagogical Postscript

Reading is socially useful, in Paul B. Armstrong's view, and can model democratic interaction by a community unconstrained by the need to build consensus but aware of the dangers of violence, irrationality, and anarchy. Reading requires mutual recognition but need not culminate in agreement, Armstrong says; instead, the social potential of reading arises from the active exchange of attitudes, ideas, and values between author and reader and among readers. Play and the Politics of Reading, which has important implications for education, draws on Wolfgang Iser's notion of free play to offer a valuable response to social problems.

Armstrong finds that Joseph Conrad, E. M. Forster, Henry James, and James Joyce provide apt examples of the politics of reading, for reasons both literary and political. In making the transition from realism to modernism, these authors experimented with narrative strategies that seek simultaneously to represent the world and to question the means of representation itself. The formal ambiguities and complexities of such texts as Howards End and Ulysses are ways of staging for the reader the difficulties and opportunities of a world of differences. Innovative formal structures challenge readers to reconsider their assumptions and beliefs about social issues.


Contributor Bio(s): Armstrong, Paul B.: - Paul B. Armstrong is Professor of English at Brown University. He is the author of Play and the Politics of Reading: The Social Uses of Modernist Form, also from Cornell University Press, and of How Literature Plays with the Brain: The Neuroscience of Reading and Art, The Phenomenology of Henry James, and Conflicting Readings: Variety and Validity in Interpretation.