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Writing a Politics of Perception: Memory, Holography, and Women Writers in Canada
Contributor(s): Thompson, Dawn (Author)
ISBN: 0802043658     ISBN-13: 9780802043658
Publisher: University of Toronto Press
OUR PRICE:   $54.90  
Product Type: Hardcover
Published: May 2000
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Annotation: "Writing A Politics Of Perception" Offers New Approaches To Five novels by women writing in Canada. Dawn Thompson analyzes these works through an epistemological theory of literature and reality that shifts critical perspective in surprising ways.

Under consideration are two classics of Canadian literature, Nicole Brossard's Picture Theory and Margaret Atwood's Surfacing, as well as three lesser-known works: Marlene Nourbese-Phillip's Looking for Livingstone, Beatrice Culleton's In Search of April Raintree, and Regine Robin's La Quebecoite. Thompson develops a theory of 'holographic memory, ' in which texts are performances that invite constant revision, remodelling, and interaction between reader, memory, and narrative. This theory is informed by de Lauretis' semiotics of subjectivity, Derrida's memoire radicale, and physicist David Bohm's theory of holographic quantum reality.

Applying the notion of holographic memory to these works of Canadian literature, Thompson successfully combines literary and cultural studies without sacrificing one to the other. She adds to and creates an alliance between feminist, post-colonial, and marxist theory, furthering political work in each of these areas. The interdisciplinary nature of Writing A Politics of Perception will attract scholars and students in a variety of fields, including Canadian and Quebec literature, comparative literature, women's studies, cultural studies, philosophy, and the social sciences.

Additional Information
BISAC Categories:
- Literary Criticism | Canadian
- Literary Criticism | Women Authors
Dewey: 813.009
LCCN: 00708599
Physical Information: 152 pages
Themes:
- Cultural Region - Canadian
- Sex & Gender - Feminine
 
Descriptions, Reviews, Etc.
Publisher Description:

Writing a Politics of Perception offers new approaches to five novels by women writing in Canada. Dawn Thompson analyses these works through an epistemological theory that shifts critical perspective in surprising ways.

Under consideration are two classics of Canadian literature, Nicole Brossard's "Picture Theory" and Margaret Atwood's "Surfacing", as well as three lesser-known works: Marlene Nourbese Phillip's "Looking for Livingstone", Beatrice Culleton's "In Search of April Raintree", and R?gine Robin's "La Qu?b?coite". Thompson develops a theory of 'holographic memory, ' in which texts are performances that invite constant revision, remodelling, and interaction between narrative, memory, and, potentially, reality. This theory is informed by de Lauretis's semiotics of subjectivity, Derrida's memoire radicale, and physicist David Bohm's theory of holographic quantum reality.

Reading these works of Canadian literature through a theory of holographic memory, Thompson successfully combines literary and cultural studies without sacrificing one to the other. She adds to and creates an alliance between feminist, post-colonial, and marxist theory, furthering political work in each of these areas. The interdisciplinary nature of Writing a Politics of Perception will attract scholars and students in a variety of fields, including Canadian and Qu?bec literature, comparative literature, women's studies, cultural studies, philosophy, and the social sciences.


Contributor Bio(s): Thompson, Dawn: - Dawn Thompson is an instructor in the Department of English at Malaspina University-College.