Limit this search to....

Mervelous Signals: Poetics and Sign Theory in the Middle Ages Revised Edition
Contributor(s): Vance, Eugene (Author)
ISBN: 0803296088     ISBN-13: 9780803296084
Publisher: University of Nebraska Press
OUR PRICE:   $28.50  
Product Type: Paperback - Other Formats
Published: January 1989
Qty:
Annotation: ""
The investigation of language, of how (and what and why) signifiers signify, is prominent in modern critical work, but the questions being asked are by no means new. In "Mervelous Signals," Eugene Vance asserts that "there is scarcely a term, practice, or concept in contemporary theory that does not have some rich antecedent in medieval thought." He goes on to illustrate the complexity and depth of medieval speculations about language and literature.


Vance's study of the link between the poetics and semiotics of the Middle Ages takes both a critical and a historical view as he brings today's insights to bear on the contemporary perspectives of such works as "St. Augustine's Confessions," the "Chanson de Roland," "Chre tien's Yvain, Aucassin and Nicolette," "Spenser's The Faerie Queen," and certain aspects of the works of Dante and Chaucer and of French medieval theater.

Additional Information
BISAC Categories:
- Religion
- Literary Criticism
Dewey: 809.102
LCCN: 85021013
Lexile Measure: 1560
Series: Regents Studies in Medieval Culture
Physical Information: 0.85" H x 6" W x 9" (1.24 lbs) 365 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
The investigation of language, of how (and what and why) signifiers signify, is prominent in modern critical work, but the questions being asked are by no means new. In Mervelous Signals, Eugene Vance asserts that there is scarcely a term, practice, or concept in contemporary theory that does not have some rich antecedent in medieval thought. He goes on to illustrate the complexity and depth of medieval speculations about language and literature.

Vance's study of the link between the poetics and semiotics of the Middle Ages takes both a critical and a historical view as he brings today's insights to bear on the contemporary perspectives of such works as St. Augustine's Confessions, the Chanson de Roland, Chr tien's Yvain, Aucassin and Nicolette, Spenser's The Faerie Queen, and certain aspects of the works of Dante and Chaucer and of French medieval theater.