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Wounds of Returning: Race, Memory, and Property on the Postslavery Plantation
Contributor(s): Adams, Jessica (Author)
ISBN: 0807858013     ISBN-13: 9780807858011
Publisher: University of North Carolina Press
OUR PRICE:   $35.63  
Product Type: Paperback - Other Formats
Published: May 2007
Qty:
Annotation: Adams explores how the commodification of black bodies during slavery did not disappear with abolition--rather, the same principle was transformed into modern consumer capitalism. From Storyville brothels and narratives of turn-of-the-century New Orleans to plantation tours, Bette Davis films, Elvis memorials, Willa Cather's fiction, and the annual prison rodeo held at the Louisiana State Penitentiary at Angola, Jessica Adams considers spatial and ideological evolutions of southern plantations after slavery. Peeling back the layers of plantation landscapes, Adams reveals connections between seemingly disparate features of modern culture, suggesting that they remain haunted by the force of the unnatural equation of people as property.
Additional Information
BISAC Categories:
- Social Science | Ethnic Studies - African American Studies
- History | United States - State & Local - South (al,ar,fl,ga,ky,la,ms,nc,sc,tn,va,wv)
- Social Science | Sociology - Rural
Dewey: 307.720
LCCN: 2006036295
Series: New Directions in Southern Studies (Paperback)
Physical Information: 0.61" H x 5.72" W x 8.66" (0.69 lbs) 240 pages
Themes:
- Ethnic Orientation - African American
 
Descriptions, Reviews, Etc.
Publisher Description:
From Storyville brothels and narratives of turn-of-the-century New Orleans to plantation tours, Bette Davis films, Elvis memorials, Willa Cather's fiction, and the annual prison rodeo held at the Louisiana State Penitentiary at Angola, Jessica Adams considers spatial and ideological evolutions of southern plantations after slavery. In Wounds of Returning, Adams shows that the slave past returns to inhabit plantation landscapes that have been radically transformed by tourism, consumer culture, and modern modes of punishment--even those landscapes from which slavery has supposedly been banished completely.

Adams explores how the commodification of black bodies during slavery did not disappear with abolition--rather, the same principle was transformed into modern consumer capitalism. As Adams demonstrates, however, counternarratives and unexpected cultural hybrids erupt out of attempts to re-create the plantation as an uncomplicated scene of racial relationships or a signifier of national unity. Peeling back the layers of plantation landscapes, Adams reveals connections between seemingly disparate features of modern culture, suggesting that they remain haunted by the force of the unnatural equation of people as property.


Contributor Bio(s): Adams, Jessica: - Jessica Adams is lecturer in English at the University of California, Berkeley. She is coeditor of Just Below South: Intercultural Performance in the Caribbean and the Southern United States.