Limit this search to....

We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics First Edition, Edition
Contributor(s): Hinton, Laura (Editor), Hogue, Cynthia (Contribution by), Hinton, Laura (Contribution by)
ISBN: 0817310959     ISBN-13: 9780817310950
Publisher: University Alabama Press
OUR PRICE:   $33.20  
Product Type: Paperback - Other Formats
Published: December 2001
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Poetry | Anthologies (multiple Authors)
- Literary Criticism | American - General
Dewey: 810.992
LCCN: 2001002381
Series: Modern & Contemporary Poetics
Physical Information: 0.8" H x 6.04" W x 8.96" (1.22 lbs) 376 pages
 
Descriptions, Reviews, Etc.
Publisher Description:

This first critical volume devoted to the full range of women's postmodern works includes some of the most respected writers and critics in the contemporary avant-garde.

We Who Love to Be Astonished collects a powerful group of previously unpublished essays to fill a gap in the critical evaluation of women's contributions to postmodern experimental writing. Contributors include Alan Golding, Aldon Nielsen, and Rachel Blau DuPlessis; discussions include analyses of the work of Kathleen Fraser, Harryette Mullen, and Kathy Acker, among others. The editors take as their title a line from the work of Lyn Hejinian, one of the most respected of innovative women poets writing today.

The volume is organized into four sections: the first two seek to identify, from two different angles, the ways women of different sociocultural backgrounds are exploring their relationships to their cultures' inherited traditions; the third section investigates the issue of visuality and the problems and challenges it creates; and the fourth section expands on the role of the body as material and performance.

The collection will breach a once irreconcilable divide between those who theorize about women's writing and those who focus on formalist practice. By embracing astonishment as the site of formalist-feminist investigation, the editors seek to show how form configures feminist thought, and, likewise, how feminist thought informs words and letters on a page. Students and scholars of avant-garde poetry, women's writing, and late-20th-century American literature will welcome this lively discussion.