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Loose Sugar
Contributor(s): Hillman, Brenda (Author)
ISBN: 0819522430     ISBN-13: 9780819522436
Publisher: Wesleyan University Press
OUR PRICE:   $15.26  
Product Type: Paperback - Other Formats
Published: March 1997
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Loose Sugar is an alchemical manuscript disguised as a collection of poems, or vice versa. Either way, the primal materials of which this book is comprised -- love, sex, adolescence, space-time, depression, post-colonialism, and sugar -- are movingly and mysteriously transmuted: not into gold, but into a poet's philosopher's stone, in which language marries life.
Structurally virtuosic, elaborate without being ornate, Loose Sugar is spun into series within series: each of the five sections has a dual heading (such as "space / time" or "time / work") in which the terms are neither in collision nor collusion, but in conversation. It's elemental sweet talk, and is Brenda Hillman's most experimental work to date, culminating in a meditation on the possibility of a native -- and feminine -- language.
Additional Information
BISAC Categories:
- Poetry | American - General
Dewey: 811.54
LCCN: 96-44572
Series: Wesleyan Poetry
Physical Information: 0.39" H x 5.95" W x 8.93" (0.43 lbs) 127 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
An elaborate collection of poems that culminate in a meditation on the possibility of a native and feminine language,

Loose Sugar is an alchemical manuscript disguised as a collection of poems, or vice versa. Either way, the primal materials of which this book is comprised -- love, sex, adolescence, space-time, depression, post-colonialism, and sugar -- are movingly and mysteriously transmuted: not into gold, but into a poet's philosopher's stone, in which language marries life.

Structurally virtuosic, elaborate without being ornate, Loose Sugar is spun into series within series: each of the five sections has a dual heading (such as "space / time" or "time / work") in which the terms are neither in collision nor collusion, but in conversation. It's elemental sweet talk, and is Brenda Hillman's most experimental work to date, culminating in a meditation on the possibility of a native -- and feminine -- language.