| Music and Technoculture Contributor(s): Lysloff, René T. a. (Editor), Gay, Leslie C. (Editor), Ross, Andrew (Other) |
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ISBN: 0819565148 ISBN-13: 9780819565143 Publisher: Wesleyan University Press OUR PRICE: $29.66 Product Type: Paperback - Other Formats Published: October 2003 Annotation: Moving from web to field, from Victorian parlor to 21st-century mall, the 15 essays gathered here yield new insights regarding the intersection of local culture, musical creativity and technological possibilities. Inspired by the concept of "technoculture," the authors locate technology squarely in the middle of expressive culture: they are concerned with how technology culturally informs and infuses aspects of everyday life and musical experience, and they argue that this merger does not necessarily result in a "cultural grayout," but instead often produces exciting new possibilities. In this collection, we find evidence of musical practices and ways of knowing music that are informed or even significantly transformed by new technologies, yet remain profoundly local in style and meaning. CONTRIBUTORS: Leslie C. Gay, Jr., Kai Fikentscher, Tong Soon Lee, Rene T. A. Lysloff, Matthew Malsky, Charity Marsh, Marc Perlman, Thomas Porcello, Andrew Ross, David Sanjek, jonathan Sterne, Janet L. Sturman, Timothy D. Taylor, Paul Theberge, Melissa West, Deborah Wong. |
| Additional Information |
| BISAC Categories: - Music | Genres & Styles - General - Social Science | Popular Culture - Social Science | Anthropology - Cultural & Social |
| Dewey: 780.06 |
| LCCN: 2003004628 |
| Series: Music / Culture |
| Physical Information: 1.13" H x 6.02" W x 9.1" (1.26 lbs) 416 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Explores the rich relationship between technology, music and culture. Moving from web to field, from Victorian parlor to 21st-century mall, the 15 essays gathered here yield new insights regarding the intersection of local culture, musical creativity and technological possibilities. Inspired by the concept of "technoculture," the authors locate technology squarely in the middle of expressive culture: they are concerned with how technology culturally informs and infuses aspects of everyday life and musical experience, and they argue that this merger does not necessarily result in a "cultural grayout," but instead often produces exciting new possibilities. In this collection, we find evidence of musical practices and ways of knowing music that are informed or even significantly transformed by new technologies, yet remain profoundly local in style and meaning. CONTRIBUTORS: Leslie C. Gay, Jr., Kai Fikentscher, Tong Soon Lee, René T. A. Lysloff, Matthew Malsky, Charity Marsh, Marc Perlman, Thomas Porcello, Andrew Ross, David Sanjek, jonathan Sterne, Janet L. Sturman, Timothy D. Taylor, Paul Théberge, Melissa West, Deborah Wong. |