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Mondo Exotica: Sounds, Visions, Obsessions of the Cocktail Generation
Contributor(s): Adinolfi, Francesco (Author), Pinkus, Karen (Translator)
ISBN: 0822341328     ISBN-13: 9780822341321
Publisher: Duke University Press
OUR PRICE:   $102.55  
Product Type: Hardcover - Other Formats
Published: April 2008
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: "You want alternative culture? Here's the real thing. Francesco Adinolfi looks beyond the camp value and discovers the exotic urges that drove a generation that was supposed to be respectable. This terrific book reminds you that some of the most unique records ever made can still be found at your local garage sale--and that it's never too late to discover how to live."--Brett Milano, author of "The Sound of Our Town: A History of Boston Rock & Roll" and "Vinyl Junkies: Adventures in Record Collecting
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Additional Information
BISAC Categories:
- Music | Genres & Styles - Pop Vocal
- Music | History & Criticism - General
Dewey: 781.640
LCCN: 2007044860
Physical Information: 1.2" H x 6.4" W x 9.1" (1.45 lbs) 376 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Tiki torches, cocktails, la dolce vita, and the music that popularized them--Mondo Exotica offers a behind-the-scenes look at the sounds and obsessions of the Space Age and Cold War period as well as the renewed interest in them evident in contemporary music and design. The music journalist and radio host Francesco Adinolfi provides extraordinary detail about artists, songs, albums, and soundtracks, while also presenting an incisive analysis of the ethnic and cultural stereotypes embodied in exotica and related genres. In this encyclopedic account of films, books, TV programs, mixed drinks, and above all music, he balances a respect for exotica's artistic innovations with a critical assessment of what its popularity says about postwar society in the United States and Europe, and what its revival implies today.

Adinolfi interviewed a number of exotica greats, and Mondo Exotica incorporates material from his interviews with Martin Denny, Esquivel, the Italian film composers Piero Piccioni and Piero Umiliani, and others. It begins with an extended look at the postwar popularity of exotica in the United States. Adinolfi describes how American bachelors and suburbanites embraced the Polynesian god Tiki as a symbol of escape and sexual liberation; how Les Baxter's album Ritual of the Savage (1951) ushered in the exotica music craze; and how Martin Denny's Exotica built on that craze, hitting number one in 1957. Adinolfi chronicles the popularity of performers from Yma Sumac, "the Peruvian Nightingale," to Esquivel, who was described by Variety as "the Mexican Duke Ellington," to the chanteuses Eartha Kitt, Julie London, and Ann-Margret. He explores exotica's many sub-genres, including mood music, crime jazz, and spy music. Turning to Italy, he reconstructs the postwar years of la dolce vita, explaining how budget spy films, spaghetti westerns, soft-core porn movies, and other genres demonstrated an attraction to the foreign. Mondo Exotica includes a discography of albums, compilations, and remixes.