Junot Díaz and the Decolonial Imagination Contributor(s): Hanna, Monica (Editor), Harford Vargas, Jennifer (Editor), Saldívar, José David (Editor) |
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ISBN: 0822360330 ISBN-13: 9780822360339 Publisher: Duke University Press OUR PRICE: $31.30 Product Type: Paperback - Other Formats Published: January 2016 |
Additional Information |
BISAC Categories: - Literary Criticism | American - Hispanic American - Social Science | Ethnic Studies - Hispanic American Studies |
Dewey: 813.54 |
LCCN: 2015026284 |
Physical Information: 1" H x 6" W x 8.9" (1.30 lbs) 464 pages |
Themes: - Ethnic Orientation - Hispanic - Ethnic Orientation - Latino |
Descriptions, Reviews, Etc. |
Publisher Description: The first sustained critical examination of the work of Dominican-American writer Junot D az, this interdisciplinary collection considers how D az's writing illuminates the world of Latino cultural expression and trans-American and diasporic literary history. Interested in conceptualizing D az's decolonial imagination and his radically re-envisioned world, the contributors show how his aesthetic and activist practice reflect a significant shift in American letters toward a hemispheric and planetary culture. They examine the intersections of race, Afro-Latinidad, gender, sexuality, disability, poverty, and power in D az's work. Essays in the volume explore issues of narration, language, and humor in The Brief Wondrous Life of Oscar Wao, the racialized constructions of gender and sexuality in Drown and This Is How You Lose Her, and the role of the zombie in the short story "Monstro." Collectively, they situate D az's writing in relation to American and Latin American literary practices and reveal the author's activist investments. The volume concludes with Paula Moya's interview with D az. Contributors: Glenda R. Carpio, Arlene D vila, Lyn Di Iorio, Junot D az, Monica Hanna, Jennifer Harford Vargas, Ylce Irizarry, Claudia Milian, Julie Avril Minich, Paula M. L. Moya, Sarah Quesada, Jos David Sald var, Ram n Sald var, Silvio Torres-Saillant, Deborah R. Vargas |