| Critical Companion to Native American and First Nations Theatre and Performance: Indigenous Spaces Contributor(s): Darby, Jaye T. (Author), Mohler, Courtney Elkin (Author), Stanlake, Christy (Author) |
|
 |
ISBN: 135003505X ISBN-13: 9781350035058 Publisher: Bloomsbury Publishing PLC OUR PRICE: $113.85 Product Type: Hardcover - Other Formats Published: February 2020 |
| Additional Information |
| BISAC Categories: - Performing Arts | Theater - History & Criticism - Literary Criticism | Native American |
| Physical Information: 0.69" H x 5.5" W x 8.5" (1.04 lbs) 280 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: This foundational study offers an accessible introduction to Native American and First Nations theatre by drawing on critical Indigenous and dramaturgical frameworks. It is the first major survey book to introduce Native artists, plays, and theatres within their cultural, aesthetic, spiritual, and socio-political contexts. Native American and First Nations theatre weaves the spiritual and aesthetic traditions of Native cultures into diverse, dynamic, contemporary plays that enact Indigenous human rights through the plays' visionary styles of dramaturgy and performance. The book begins by introducing readers to historical and cultural contexts helpful for reading Native American and First Nations drama, followed by an overview of Indigenous plays and theatre artists from across the century. Finally, it points forward to the ways in which Native American and First Nations theatre artists are continuing to create works that advocate for human rights through transformative Native performance practices. Addressing the complexities of this dynamic field, this volume offers critical grounding in the historical development of Indigenous theatre in North America, while analysing key Native plays and performance traditions from the mainland United States and Canada. In surveying Native theatre from the late 19th century until today, the authors explore the cultural, aesthetic, and spiritual concerns, as well as the political and revitalization efforts of Indigenous peoples. This book frames the major themes of the genre and identifies how such themes are present in the dramaturgy, rehearsal practices, and performance histories of key Native scripts. |
Contributor Bio(s): Wetmore Jr, Kevin J.: - Kevin J. Wetmore, Jr. is professor of theatre arts at Loyola Marymount University, Los Angeles, USA, the author and editor of ten books including The Empire Triumphant: Race, Religion and Rebellion in the Star Wars Films, and a contributor to numerous volumes on sci-fi, pop culture and religion, including essays on Godzilla, Star Wars, and Battlestar Galactica. His areas of expertise include Japanese theatre, African theatre, Shakespeare, Greek tragedy, stage combat and comedy. He is co-editor with Patrick Lonergan of Bloomsbury Methuen Drama's Critical Companions series.Lonergan, Patrick: - Patrick Lonergan is Professor of Drama and Theatre Studies at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh, is editor of The Methuen Drama Anthology of Irish Plays and series editor of the Critical Companions. |