| British Aestheticism and the Urban Working Classes, 1870-1900: Beauty for the People 2006 Edition Contributor(s): Maltz, D. (Author) |
|
 |
ISBN: 1403945691 ISBN-13: 9781403945693 Publisher: Palgrave MacMillan OUR PRICE: $52.24 Product Type: Hardcover - Other Formats Published: November 2005 Annotation: This cultural study reveals the interdependence between British Aestheticism and late-Victorian social reform movements. Following John Ruskin, who believed in art's power to civilize the poor, cultural philanthropists promulgated a Religion of Beauty as they advocated practical schemes for tenement reform, university-settlement education, Sunday museum opening, and High Anglican revival. Although subject to novelists' ambivalent, even satirical, representations, missionary aesthetes nevertheless constituted an influential social network, imbuing fin-de-sicle artistic communities with political purpose and political lobbies with aesthetic sensibility. |
| Additional Information |
| BISAC Categories: - Literary Criticism | English, Irish, Scottish, Welsh - Literary Criticism | Semiotics & Theory - Literary Criticism | Modern - 19th Century |
| Dewey: 820.935 |
| LCCN: 2005047466 |
| Series: Palgrave Studies in Nineteenth-Century Writing and Culture |
| Physical Information: 0.85" H x 5.88" W x 8.44" (1.06 lbs) 290 pages |
| Themes: - Cultural Region - British Isles - Chronological Period - 19th Century |
| Descriptions, Reviews, Etc. |
| Publisher Description: This cultural study reveals the interdependence between British Aestheticism and late-Victorian social-reform movements. Following their mentor John Ruskin who believed in art's power to civilize the poor, cultural philanthropists promulgated a Religion of Beauty as they advocated practical schemes for tenement reform, university-settlement education, Sunday museum opening, and High Anglican revival. Although subject to novelist's ambivalent, even satirical, representations, missionary aesthetes nevertheless constituted an influential social network, imbuing fin-de-siecle artistic communities with political purpose and political lobbies with aesthetic sensibility. |