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The Case of Hans Henny Jahnn: Criticism and the Literary Outsider
Contributor(s): Freeman, Thomas (Author)
ISBN: 1571132066     ISBN-13: 9781571132062
Publisher: Camden House (NY)
OUR PRICE:   $109.25  
Product Type: Hardcover
Published: July 2001
Qty:
Annotation: Hans Henny Jahnn (1894-1959) is one of Germany's most controversial modern authors, in large part due to sharply diverging reactions to the depictions of sado-masochistic brutality, incest, and homoeroticism in his plays and novels. Jahnn's rank as a writer has long been a topic of intense debate between rival schools of critics, and his works have provoked extreme responses, both positive and negative, from a wide spectrum of scholars, writers, and critics, including such prominent figures as Alfred Dblin, Walter Benjamin, Thomas and Klaus Mann, Wolfgang Koeppen, Walter and Adolf Muschg, Wilhelm Emrich, Hubert Fichte and many others. Freeman focuses on characteristic examples of different approaches to Jahnn: structuralist, psychoanalytic, Jungian-archetypal, Marxist, biographical, literary-historical, postmodern, gay, and feminist. Freeman shows how behind the veil of objectivity, literary scholars often have a hidden agenda that is based on an emotional reaction to Jahnn's portrayal of homosexuality and violence, his negative images of women, and his worldview, which some critics have linked to some of the same ideological presuppositions as those of National Socialism. This is the first full-length study of Jahnn criticism.Thomas Freeman is associate professor of German at Beloit College, Beloit, Wisconsin.
Additional Information
BISAC Categories:
- Literary Criticism | European - German
Dewey: 838.912
LCCN: 00052943
Series: Studies in German Literature Linguistics and Culture
Physical Information: 0.9" H x 6.32" W x 9.32" (1.25 lbs) 279 pages
Themes:
- Cultural Region - Germany
 
Descriptions, Reviews, Etc.
Publisher Description:
Hans Henny Jahnn (1894-1959) is one of Germany's most controversial modern authors, in large part due to sharply diverging reactions to the depictions of sado-masochistic brutality, incest, and homoeroticism in his plays and novels. Jahnn's rank as a writer has long been a topic of intense debate between rival schools of critics, and his works have provoked extreme responses, both positive and negative, from a wide spectrum of scholars, writers, and critics, including such prominent figures as Alfred Döblin, Walter Benjamin, Thomas and Klaus Mann, Wolfgang Koeppen, Walter and Adolf Muschg, Wilhelm Emrich, Hubert Fichte and many others. Freeman focuses on characteristic examples ofdifferent approaches to Jahnn: structuralist, psychoanalytic, Jungian-archetypal, Marxist, biographical, literary-historical, postmodern, gay, and feminist. Freeman shows how behind the veil of objectivity, literary scholars oftenhave a hidden agenda that is based on an emotional reaction to Jahnn's portrayal of homosexuality and violence, his negative images of women, and his worldview, which some critics have linked to some of the same ideological presuppositions as those of National Socialism. This is the first full-length study of Jahnn criticism. Thomas Freeman is associate professor of German at Beloit College, Beloit, Wisconsin.