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Up Is Down: Mid-Century Experiments in Advertising and Film at the Goldsholl Studio
Contributor(s): Granof, Corinne (Editor), Beste, Amy (Editor), Spigel, Lynn (Contribution by)
ISBN: 1732568405     ISBN-13: 9781732568402
Publisher: Block Museum
OUR PRICE:   $23.75  
Product Type: Paperback
Published: October 2018
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Design | Graphic Arts - Advertising
- Design | Graphic Arts - Commercial & Corporate
- Art | American - General
Physical Information: 0.6" H x 6.9" W x 9.7" (1.25 lbs) 210 pages
 
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Publisher Description:

Winner of the 2019 Award for Excellence from the Association of Art Museum Curators

Up Is Down: Mid-Century Experiments in Advertising and Film at the Goldsholl Studio is the first illustrated guide to the innovative work of Goldsholl Design Associates and its impact on design and film.

Headed by Morton and Millie Goldsholl, the studio worked at the intersection of art, design, and media, producing trademarks, corporate identities, print advertisements, television commercials, and films for such clients as Motorola, Kimberly-Clark, Revlon, 7-Up, and the National Football League. The Goldsholls and their designers were compared to many of the most celebrated design firms of their day and are being rediscovered by many contemporary designers.

Inspired by Laszlo Moholy-Nagy, with whom they had studied at Chicago's School of Design, Morton and Millie Goldsholl fostered a culture of exploration and collaboration in their studio. The firm became known for its imaginative "designs-in-film," applying avant-garde techniques to commercial productions. Its groundbreaking work in the new media of television helped redefine the look of everyday visual culture in mid-century America. The trailblazing work of Goldsholl Design Associates remains an unexplored contribution within American design and advertising.

Published in conjunction with the exhibition of the same name at the Block Museum of Art, Northwestern University, this volume's research explores how a new visual language emerged from Chicago's cross-fertilization of avant-garde aesthetics, business, and cutting-edge media.