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Guarded Words: Writing from Prison: England, France, Russia
Contributor(s): de Bellaigue, Eric (Author)
ISBN: 1916495788     ISBN-13: 9781916495784
Publisher: Unicorn Publishing Group
OUR PRICE:   $40.50  
Product Type: Hardcover
Published: December 2020
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Social Science | Capital Punishment
Physical Information: 1.7" H x 6.3" W x 9.3" (1.90 lbs) 400 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
"Can prison writing lay claim to a distinctive chapter in histories of literature? Is there a thread linking prisoners' output across the centuries? Can confinement provide the ideal environment for literary creativity? Is there common ground among the subjects treated? Alternatively, does diversity ride rough-shod over the shared experiences of imprisonment?"--Isaac D'Israeli's "Imprisonment of Learned" from Curiosities of Literature

Eric de Bellaigue has attempted to answer the questions posed by D'Israeli by crafting a collection drawn only from text written within the confines of prisons. Guarded Words explores the lives of prisoners throughout history, illuminating their wide-ranging reasons for incarceration, and describing the conditions of the prisons that held them. Featuring writings dating back to 1500, this volume spans centuries and crosses continents, taking readers to England, France, and Russia.

Where common ground is apparent it is at the personal level, notably in the causes of imprisonment, which include, for religious views: John Bunyan, Cl ment Marot, Anne Askew, Thomas More, and John Hart; for reasons of State: Walter Raleigh, William Prynne, Antoine Lavoisier, Madame Roland, Andr Ch nier, Jean-Antoine Roucher, the Earl of Surrey, Charles I, and Richard Lovelace; as victims of civil action: William Combe, Theodore von Neuhoff, King of Corsica, Mirabeau, and Voltaire; for dissidence in Russia: Alexander Solzhenitsyn, Lev Mishchenko, and Irina Ratushinskaya; and for murder: Pierre Fran ois Lacenaire and William Chester Minor.

The writing is accompanied by thirty black-and-white images, textual notes throughout, and an appendix that provides short notes about each writer.