| Assuming Boycott: Resistance, Agency and Cultural Production Contributor(s): Estefan, Kareem (Editor), Kuoni, Carin (Editor), Raicovich, Laura (Editor) |
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ISBN: 1944869433 ISBN-13: 9781944869434 Publisher: OR Books OUR PRICE: $16.10 Product Type: Paperback - Other Formats Published: October 2017 |
| Additional Information |
| BISAC Categories: - Political Science | Political Process - Political Advocacy - Political Science | Civics & Citizenship - Political Science | Civil Rights |
| Dewey: 327.117 |
| Physical Information: 1" H x 5.4" W x 8.2" (0.85 lbs) 272 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Street protests are one side of a worldwide citizens' movement. Another side is the increasing use of boycotts, one of the most powerful weapons in the organizer's arsenal: it is an effective and moral lever for civil rights, most notably today in its adoption by the BDS movement. Since the days of the 19th century Irish land wars, when Irish tenant farmers defied the actions of Captain Charles Boycott and English landlords, "boycott" has been a method that's had an impact time and again. In the 20th century, it notably played central roles in the liberation of India and South Africa and the struggle for civil rights in the U.S.: the 1955 Montgomery bus boycott is generally seen as a turning point in the movement against segregation. Assuming Boycott is the essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott. Far from withdrawal or cynicism, boycott emerges as a productive tool of creative and productive engagement. |
Contributor Bio(s): Estefan, Kareem: - Kareem Estefan is an art critic, writer, editor, and doctoral candidate in Brown University's Modern Culture and Media department, where he researches contemporary visual culture and the intersections of art, media, and politics, with a focus on the Middle East. His writing on contemporary art and cultural activism has appeared in Art in America, Art-Agenda, BOMB, The Brooklyn Rail, Frieze, Ibraaz, and The New Inquiry, among other places. From 2012-2015, Estefan was Associate Editor of Creative Time Reports, an online magazine of the New York-based public art nonprofit Creative Time, where he worked closely with artists such as James Bridle, Mel Chin, Molly Crabapple, Mariam Ghani, Emily Jacir, Naeem Mohaiemen, and Ahmet Öğüt on texts that addressed pressing political issues.Kuoni, Carin: - Carin Kuoni is a curator and editor whose work examines how contemporary artistic practices reflect and inform social, political and cultural conditions. She is Director/Curator of the Vera List Center for Art and Politics at The New School and teaches there. A founding member of the artists' collective REPOhistory, Kuoni has curated and co-curated numerous transdisciplinary exhibitions, and edited and co-edited several books, among them Energy Plan for the Western Man: Joseph Beuys in America; Words of Wisdom: A Curator's Vademecum; Speculation, Now; and Entry Points: The Vera List Center Field Guide on Art and Social Justice. She is the recipient of a 2014 Andy Warhol Foundation Curatorial Fellowship, directed "SITAC XII: Arte, justamente" in Mexico City in 2015, and is a Travel Companion for the 57th Carnegie International in 2018.Raicovich, Laura: - Laura Raicovich is President and Executive Director of The Queens Museum of the City of New York. A champion of socially engaged art practices that address the most pressing social, political, and ecological issues of our times, she has defined her career with artist-driven projects and programs. Recent projects at the Queens Museum include "Mierle Laderman Ukeles: Maintenance Art"; "William Gropper: Bearing Witness"; "Mickalene Thomas: Untitled"; "Mariam Ghani: Garden of Forked Tongues"; "Duke Riley: That's What She Said"; "Hey! Ho! Let's Go: Ramones and the Birth of Punk," as well as a series of programs designed with Rebecca Solnit and Joshua Jelly Shapiro to launch their "Nonstop Metropolis: A New York City Atlas." She lectures internationally, has contributed regularly to The Brooklyn Rail, and is the author of A Diary of Mysterious Difficulties and At the Lightning Field. |