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A Door Ajar: Contemporary Writers and Emily Dickinson
Contributor(s): Gardner, Thomas (Author)
ISBN: 0195174933     ISBN-13: 9780195174939
Publisher: Oxford University Press, USA
OUR PRICE:   $57.00  
Product Type: Hardcover - Other Formats
Published: August 2006
Qty:
Annotation: Thomas Gardner argues in this original study that we are just beginning, as a culture, to understand the far-reaching implications of Emily Dickinson's work. Looking at the way quite different writers have enacted and fleshed-out crucial aspects of her poetry, Gardner gives us a Dickinson for
our times. Beginning with the work of Lucie Brock-Broido, Alice Fulton, Kathleen Fraser, and Robert Hass, Gardner moves on to analytical chapters and fully developed conversations with four writers in whose work he finds the fullest extension of Dickinson's legacy. The interviews with these
four--Marilynne Robinson, Charles Wright, Susan Howe, and Jorie Graham--provide a particularly intimate look at writers at work.
In returning to Dickinson's work, Gardner observes, contemporary writers have powerfully extended what he calls her poetics of broken responsiveness in which an acknowledgment of limits leads, paradoxically, to a deep engagement with a world beyond our capacity to master or possess. In the hands of
our most important poets and novelists, Dickinson's "emptying of the articulate self" has become a potent means of addressing some of our culture's fundamental erotic, religious, philosophical, and social questions. A Door Ajar makes visible the Dickinson that will matter to writers and readers over
the next several decades.
Additional Information
BISAC Categories:
- Literary Criticism | American - General
- Literary Criticism | Poetry
Dewey: 811.4
LCCN: 2005016287
Physical Information: 0.95" H x 6.49" W x 9.51" (1.18 lbs) 270 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Thomas Gardner argues in this original study that we are just beginning, as a culture, to understand the far-reaching implications of Emily Dickinson's work. Looking at the way quite different writers have enacted and fleshed-out crucial aspects of her poetry, Gardner gives us a Dickinson for
our times. Beginning with the work of Lucie Brock-Broido, Alice Fulton, Kathleen Fraser, and Robert Hass, Gardner moves on to analytical chapters and fully developed conversations with four writers in whose work he finds the fullest extension of Dickinson's legacy. The interviews with these
four--Marilynne Robinson, Charles Wright, Susan Howe, and Jorie Graham--provide a particularly intimate look at writers at work.

In returning to Dickinson's work, Gardner observes, contemporary writers have powerfully extended what he calls her poetics of broken responsiveness in which an acknowledgment of limits leads, paradoxically, to a deep engagement with a world beyond our capacity to master or possess. In the hands of
our most important poets and novelists, Dickinson's emptying of the articulate self has become a potent means of addressing some of our culture's fundamental erotic, religious, philosophical, and social questions. A Door Ajar makes visible the Dickinson that will matter to writers and readers over
the next several decades.