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Arthur Dove: A Retrospective
Contributor(s): Balken, Debra Bricker (Author), Agee, William C. (Contribution by), Turner, Elizabeth Hutton (Contribution by)
ISBN: 0262522403     ISBN-13: 9780262522403
Publisher: MIT Press
OUR PRICE:   $17.96  
Product Type: Paperback - Other Formats
Published: September 1997
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Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Purportedly the first artist to produce an abstract painting, American artist Arthur Dove (1880-1946) occupies a central place in early American modernism. This book accompanies a major exhibition on Dove, organized by the Addison Gallery of American Art and the Phillips Collection. It covers the period from 1908 through 1946. 54 duotones and 90 color illustrations.
Additional Information
BISAC Categories:
- Art | Individual Artists - General
Dewey: 759.13
LCCN: 97-13748
Series: Mit Press
Physical Information: 0.63" H x 8.9" W x 11.5" (2.47 lbs) 196 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
In collaboration with William C. Agee and Elizabeth Hutton Turner The American artist Arthur Dove (1880-1946), purportedly the first artist to have produced an abstract painting, has always occupied a central place in writings on early American modernism. This book accompanies the first major exhibition on Dove since 1974. The exhibition, organized by the Addison Gallery of American Art and the Phillips Collection, covers the period from 1908, the year after Dove took up painting, through 1946, the year of his death. It is comprised of approximately eighty paintings, collages, pastels, and charcoal drawings. Along with Georgia O'Keeffe and John Marin, Dove was touted for more than three decades by photographer and dealer Alfred Stieglitz as an American original, one whose work was prescient in its opposition to the materialism of a newly industrialized America. Essays by Balken, Agee, and Turner discuss Dove's interactions with Stieglitz and others in his circle, including O'Keeffe, Marin, Marsden Hartley, and Paul Strand, and re-examine Dove in the context of early twentieth-century intellectual and cultural history. The book contains color plates of all the works in the exhibition; the essays are profusely illustrated with black-and-white images not included in the exhibition. Apart from an out-of-print catalogue raisonn , this book is the largest and most comprehensive publication to date on Dove's work. Copublished with the Addison Gallery of American Art in association with the Phillips Collection