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The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde
Contributor(s): Bernstein, David (Editor), Rockwell, John (Foreword by), Goebel, Johannes (Preface by)
ISBN: 0520256174     ISBN-13: 9780520256170
Publisher: University of California Press
OUR PRICE:   $33.20  
Product Type: Paperback - Other Formats
Published: July 2008
Qty:
Annotation: This book tells the story of the influential group of creative artists--Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, Tony Martin, and others--who connected music to technology during a legendary era in California art. An integral part of the robust San Francisco arts scene, the San Francisco Tape Music Center developed new art forms through collaborations with such artists as Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor's Workshop, the San Francisco Mime Troupe, Ann Halprin's Dancers' Workshop, and Canyon Cinema. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the rich, heady artistic milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center.
Additional Information
BISAC Categories:
- Music | History & Criticism - General
- Social Science | Popular Culture
Dewey: 786.709
LCCN: 2007040979
Physical Information: 0.89" H x 6.99" W x 9.88" (1.68 lbs) 344 pages
Themes:
- Chronological Period - 1960's
- Locality - San Francisco, California
- Cultural Region - Northern California
- Geographic Orientation - California
- Cultural Region - Western U.S.
- Cultural Region - West Coast
 
Descriptions, Reviews, Etc.
Publisher Description:
This book tells the story of the influential group of creative artists--Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin--who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco "scene," the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor's Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers' Workshop, Canyon Cinema, and others. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the heady experimental milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center.