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Romantic Identities: Varieties of Subjectivity, 1774-1830
Contributor(s): Henderson, Andrea K. (Author)
ISBN: 0521027101     ISBN-13: 9780521027106
Publisher: Cambridge University Press
OUR PRICE:   $45.59  
Product Type: Paperback - Other Formats
Published: November 2006
Qty:
Annotation: On of the defining features of Romantic writing, critics have long argued, is its characterization of the self in terms of psychological depth. Many Romantic writers, however, did not conceive of the self in this way, and in Romantic Identities Andrea K. Henderson investigates that part of Romantic writing that challenges the "depth" model, or operates outside its domain. Henderson explores various forms of Romantic discourse, explains their economic and social contexts, and examines their differing conceptions of identity. Individual chapters treat the Romantic view of the self in embryo and at birth, the relation of gothic characterization to the ghostliness of exchange value, anti-essentialism in Romantic physiology, the conception of self as genre in writings by Percy and Mary Shelley, and the link between economic circulation and the distrust of psychological interiority in Scott.
Additional Information
BISAC Categories:
- Literary Criticism | English, Irish, Scottish, Welsh
- Literary Criticism | Gothic & Romance
Dewey: 820.935
LCCN: 2007273270
Series: Cambridge Studies in Romanticism (Paperback)
Physical Information: 0.49" H x 6" W x 9" (0.71 lbs) 216 pages
Themes:
- Chronological Period - 19th Century
- Chronological Period - 18th Century
- Cultural Region - British Isles
 
Descriptions, Reviews, Etc.
Publisher Description:
A defining feature of Romantic writing, critics have long agreed, is its characterization of the self in terms of psychological depth. Many Romantic writers, however, did not conceive of the self in this way, and in Romantic Identities Andrea K. Henderson investigates Romantic writing that challenges the depth model, or operates outside its domain. Henderson explores various forms of discourse and their perceptions of identity, examines subjects ranging from obstetrics to gothicism, and considers writings by Radcliffe, Byron, Scott, and Shelley, among others.