| New Theatre Quarterly 61: Volume 16, Part 1 February 2000 Edition Contributor(s): Barker, Clive (Editor), Trussler, Simon (Editor) |
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ISBN: 052178901X ISBN-13: 9780521789011 Publisher: Cambridge University Press OUR PRICE: $28.49 Product Type: Paperback Published: February 2000 Annotation: New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 61 include: Animating Morecambe: Forkbeard Fantasy Goes to the Ball; ???Transforming??? Women??'s Lives: Bobby Baker??'s Performances of ???Daily Life???; Landscapes of Fact and Fiction: Asian Theatre Arts in Britain; Impersonation in Some African Ritual and Festival Performance; More-and-less-than: Liveness, Video Recording, and the Future of Performance. |
| Additional Information |
| BISAC Categories: - Performing Arts | Theater - General |
| Dewey: 792 |
| Series: New Theatre Quarterly |
| Physical Information: 0.21" H x 7.1" W x 9.39" (0.51 lbs) 104 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 61 include: Animating Morecambe: Forkbeard Fantasy Goes to the Ball; 'Transforming' Women's Lives: Bobby Baker's Performances of 'Daily Life'; Landscapes of Fact and Fiction: Asian Theatre Arts in Britain; Impersonation in Some African Ritual and Festival Performance; More-and-less-than: Liveness, Video Recording, and the Future of Performance. |