| Reading Virginia Woolf Contributor(s): Briggs, Julia (Author) |
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ISBN: 0748624341 ISBN-13: 9780748624348 Publisher: Edinburgh University Press OUR PRICE: $142.50 Product Type: Hardcover - Other Formats Published: June 2006 Annotation: With grace and style, noted Woolf critic and biographer Julia Briggs reconsiders the author's work from imaginative and unexpected angles, spanning her early fiction experiments to her late short story "The Symbol" and from the most to the least familiar of her novels, such as the neglected "Night and Day," Briggs investigates links between Woolf and writers like Byron and Shakespeare, her fascination with transitional places and moments, her ambivalent attitudes toward "Englishness" and censorship, and her methods of writing and revision. She examines the differences between the original British and American editions of Woolf's texts and the lesser-known changes she made after publication. Briggs's lively and engaging style will appeal to scholars and general readers alike. |
| Additional Information |
| BISAC Categories: - Literary Criticism | English, Irish, Scottish, Welsh |
| Dewey: 823.912 |
| Physical Information: 0.76" H x 6.34" W x 9.34" (1.12 lbs) 256 pages |
| Themes: - Cultural Region - British Isles |
| Descriptions, Reviews, Etc. |
| Publisher Description: The pleasure and excitement of exploring Virginia Woolf's writings is at the heart of this book by a highly respected Woolf critic and biographer. Julia Briggs reconsiders Woolf's work - from some of her earliest fictional experiments to her late short story, 'The Symbol', and from the most to the least familiar of her novels - from a series of highly imaginative and unexpected angles. Individual essays analyse Woolf's neglected second novel, Night and Day and investigate her links with other writers (Byron, Shakespeare), her ambivalent attitudes to 'Englishness' and to censorship, her fascination with transitional places and moments, with the flow of time (and its relative nature), her concern with visions and revision and with printing and the writing process as a whole. We watch Woolf as she typesets an extraordinarily complex high modernist poem (Hope Mirrlees's 'Paris'), and as she revises her novels so that their structures become formally - and even numerologically - significant. A final essay examines the differences between Woolf's texts as they were first published in England and America, and the further changes she occasionally made after publication, changes that her editors have been slow to acknowledge. Julia Briggs brings to these discussions an extensive knowledge of Woolf both as a scholar and as an editor. She records her findings and observations in a lively, graceful and approachable style that will entice readers to delve further and more meaningfully into Woolf's work. Features* Addresses a wide range of familiar and less familiar texts, including Woolf's short stories.* Opens up difficult texts in an inviting style.* Covers aspects of Woolf's work that have been consistently neglected or have never been considered before. |