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The New Theatre of the Baltics: From Soviet to Western Influence in Estonia, Latvia and Lithuania
Contributor(s): Johnson, Jeff (Author)
ISBN: 0786429925     ISBN-13: 9780786429929
Publisher: McFarland and Company, Inc.
OUR PRICE:   $39.55  
Product Type: Paperback
Published: February 2007
Qty:
Annotation: Although Estonia, Latvia and Lithuania are culturally distinct, they share a common theatre history characterized by resistance, first as a response to Nazi occupation, then as an ideological weapon countering their annexation under strict Soviet ideology. This comprehensive overview of contemporary theatre in the Baltic states includes interviews with major directors, writers, academics and critics, critiques of significant performances, and historical information to familiarize readers with the region. It not only discusses the political ramifications of the three countries? transition from occupied Soviet states to independent members of the European Union, but also addresses the aesthetic, cultural and national issues associated with the move to independence and the adaptation of a Western economic model.
Additional Information
BISAC Categories:
- Performing Arts | Theater - History & Criticism
- History | Europe - Baltic States
- Performing Arts | Television - General
Dewey: 792.094
LCCN: 2006038453
Physical Information: 0.51" H x 6.57" W x 8.98" (0.72 lbs) 232 pages
Themes:
- Cultural Region - Baltic
 
Descriptions, Reviews, Etc.
Publisher Description:
Although Estonia, Latvia and Lithuania are culturally distinct, they share a common theatre history characterized by resistance, first as a response to Nazi occupation, then as an ideological weapon countering their annexation under strict Soviet ideology. This comprehensive overview of contemporary theatre in the Baltic states includes interviews with major directors, writers, academics and critics, critiques of significant performances, and historical information to familiarize readers with the region. It not only discusses the political ramifications of the three countries' transition from occupied Soviet states to independent members of the European Union, but also addresses the aesthetic, cultural and national issues associated with the move to independence and the adaptation of a Western economic model. More than an introduction, this book is a forum for ideas as well as a detailed, first-hand account of the current scene in Baltic theatre. While useful for anyone interested in contemporary theatre, it is also essential reading for those interested in Baltic studies, post-Soviet cultural history, and recent trends in East European literature.