| Taking a Stand in a Postfeminist World: Toward an Engaged Cultural Criticism Contributor(s): Mascia-Lees, Frances E. (Author), Sharpe, Patricia (Author) |
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ISBN: 0791447162 ISBN-13: 9780791447161 Publisher: State University of New York Press OUR PRICE: $33.20 Product Type: Paperback Published: October 2000 Annotation: Taking a Stand in a Postfeminist World offers an engaged cultural criticism in a postfeminist context. At the end of the twentieth century, an increasingly globalized world has given rise to a cultural complexity characterized by a rapid increase in competing discourses, fragmented subjectives, and irreconcilable claims over cultural representation and who has the right to speak for, or about, "others". While feminism has traditionally been a potent site for debates over questions that have arisen out of this context, recently, it has become so splintered and suspect that its insights are often dismissed as predictable, seriously reducing its capacity to offer powerful cultural criticism. In this postfeminist context, the authors argue for a cultural criticism that is strategic, not programmatic and that preserves the multiple commitments, ideas, and positions required of interactions and identifications across lines of cultural, racial, and gender difference. |
| Additional Information |
| BISAC Categories: - Social Science | Feminism & Feminist Theory - Social Science | Popular Culture - Social Science | Anthropology - General |
| Dewey: 305.420 |
| LCCN: 99059783 |
| Physical Information: 0.56" H x 5.92" W x 8.98" (0.52 lbs) 254 pages |
| Themes: - Sex & Gender - Feminine |
| Descriptions, Reviews, Etc. |
| Publisher Description: Taking a Stand in a Postfeminist World offers an engaged cultural criticism in a postfeminist context. At the end of the twentieth century, an increasingly globalized world has given rise to a cultural complexity characterized by a rapid increase in competing discourses, fragmented subjectivities, and irreconcilable claims over cultural representation and who has the right to speak for, or about, others. While feminism has traditionally been a potent site for debates over questions that have arisen out of this context, recently, it has become so splintered and suspect that its insights are often dismissed as predictable, seriously reducing its capacity to offer powerful cultural criticism. In this postfeminist context, the authors argue for a cultural criticism that is strategic, not programmatic, and that preserves the multiple commitments, ideas, and positions required of interactions and identifications across lines of cultural, racial, and gender difference. Selecting sites where such interactions are highlighted and under current scrutiny--film, consumer culture, tourism, anthropology, and the academy--the authors theorize and demonstrate the struggles and maneuvers required to take a stand on a wide range of issues of significance to the contemporary cultural moment. |