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Surreal Lives: The Surrealists 1917-1945
Contributor(s): Brandon, Ruth (Author)
ISBN: 080213727X     ISBN-13: 9780802137272
Publisher: Grove Press
OUR PRICE:   $14.40  
Product Type: Paperback - Other Formats
Published: August 2000
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: A sharp analysis of the Surrealist movement and the group of writers, painters, and filmmakers who set out to change the perception of the world. Photographs.
Additional Information
BISAC Categories:
- Art | History - Modern (late 19th Century To 1945)
- History | Western Europe - General
- History | Europe - General
Dewey: 709.040
Physical Information: 1.17" H x 6" W x 9.01" (1.69 lbs) 554 pages
Themes:
- Chronological Period - 1900-1949
 
Descriptions, Reviews, Etc.
Publisher Description:
In the years following World War I, a small group of writers, painters, and filmmakers called the Surrealists set out to change the way we perceive the world. In Surreal Lives, Ruth Brandon follows the lives and interactions of such firecracker minds as the movement's didactic Pope, Andre Breton, and the ambitious and manic Salvador Dali, as well as Marcel Duchamp, Francis Picabia, Tristan Tzara, Man Ray, Max Ernst, and filmmaker Luis Bunuel. It charts their shifting allegiances, and their ties to muses and patrons like Gala Dali and Peggy Guggenheim. Ruth Brandon spins the many stories of Surrealism with wit, energy, and insight, bringing sharp analysis to an eccentric cast of characters whose struggles and achievements came to mirror and define the way the world changed between the wars. Fascinating, impassioned... admirable for] the masterly storytelling, the richness of anecdotal incident, the keen reporting of intellectual enthusiasms and artistic collaborations, and the panorama of a spectacular cultural galaxy. -- The New York Times Book Review; Superbly entertaining... A cousin to Malcolm Cowley's Exile's Return. -- Michael Dirda, The Washington Post Book World; A lively and absorbing complement to the Surrealists'] work. -- The New Yorker