| Inscribing the Other Contributor(s): Gilman, Sander L. (Author) |
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ISBN: 0803221347 ISBN-13: 9780803221345 Publisher: University of Nebraska Press OUR PRICE: $47.50 Product Type: Hardcover Published: November 1991 Annotation: Inscribing the Other focuses on great authors who have by birth or choice (or both) found themselves outside the mainstream of their culture but who have still wished to address it: Goethe, Freud, Wilde, Heine, Nietzsche, and Isaac Bashevis Singer, among others. In thirteen probing, provocative essays Sander L. Gilman reinterprets their writing as it reveals their efforts to come to terms with their real or imagined sense of difference. |
| Additional Information |
| BISAC Categories: - Literary Criticism | European - German - Literary Criticism | Asian - General |
| Dewey: 830.989 |
| LCCN: 90046582 |
| Series: Texts and Contexts |
| Physical Information: 1.32" H x 6.09" W x 9.49" (1.66 lbs) 372 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Inscribing the Other focuses on great authors who have by birth or choice (or both) found themselves outside the mainstream of their culture but who have still wished to address it: Goethe, Freud, Wilde, Heine, Nietzsche, and Isaac Bashevis Singer, among others. In thirteen probing, provocative essays Sander L. Gilman reinterprets their writing as it reveals their efforts to come to terms with their real or imagined sense of difference. The chapters treat many themes and problems, ranging widely from the romantic notion of the transcendent artist to the twentieth-century artists-in-exile, and employing the perspectives of psychiatry, aesthetics, photography, politics, and the history of mentalities. The fate of Jewish writers in modern Germany, or of Yiddish writers whose language is devalued in European culture, is explored. The theme of difference and its artistic and intellectual manifestations runs throughout the book, which includes discussions of Goethe's and Wilde's homosexuality, Nietzsche's madness, Heine's refusal to be photographed, and Primo Levi's internment at Auschwitz, as well as an interview with Singer. In a frank autobiographical introduction, Gilman attempts to understand his own writing as an exercise in inscribing the Other, in dealing with is own sense of difference through artistic creation. |