| The Wall of Respect: Public Art and Black Liberation in 1960s Chicago Contributor(s): Alkalimat, Abdul (Author), Zorach, Rebecca (Author), Crawford, Romi (Author) |
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ISBN: 0810135930 ISBN-13: 9780810135932 Publisher: Northwestern University Press OUR PRICE: $31.50 Product Type: Paperback - Other Formats Published: September 2017 |
| Additional Information |
| BISAC Categories: - Art | American - African American - Art | Public Art - Art | History - Contemporary (1945- ) |
| Dewey: 751.730 |
| LCCN: 2017020222 |
| Series: Second to None: Chicago Stories |
| Physical Information: 0.7" H x 7" W x 9.9" (2.25 lbs) 376 pages |
| Themes: - Ethnic Orientation - African American - Chronological Period - 1950-1999 - Topical - Black History - Locality - Chicago, Illinois - Geographic Orientation - Illinois |
| Descriptions, Reviews, Etc. |
| Publisher Description: The Wall of Respect: Public Art and Black Liberation in 1960s Chicago is the first in-depth, illustrated history of a lost Chicago monument. The Wall of Respect was a revolutionary mural created by fourteen members of the Organization of Black American Culture (OBAC) on the South Side of Chicago in 1967. This book includes photographs by Darryl Cowherd, Bob Crawford, Roy Lewis, and Robert A. Sengstacke, and gathers historic essays, poetry, and previously unpublished primary documents from the movement's founders that provide a guide to the work's creation and evolution. The Wall of Respect received national critical acclaim when it was unveiled on the side of a building at Forty-Third and Langley in Chicago's Bronzeville neighborhood. Painters and photographers worked side by side on the mural's seven themed sections, which featured portraits of Black heroes and sheroes, among them John Coltrane, Nina Simone, Billie Holiday, Malcolm X, Muhammad Ali, and W. E. B. Du Bois. The Wall became a platform for music, poetry, and political rallies. Over time it changed, reflecting painful controversies among the artists as well as broader shifts in the Civil Rights and Black Liberation Movements. At the intersection of African American culture, politics, and Chicago art history, The Wall of Respect offers, in one keepsake-quality work, an unsurpassed collection of images and essays that illuminate a powerful monument that continues to fascinate artists, scholars, and readers in Chicago and across the United States. |