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One Hundred Poems from the Chinese
Contributor(s): Rexroth, Kenneth (Author)
ISBN: 0811201805     ISBN-13: 9780811201803
Publisher: New Directions Publishing Corporation
OUR PRICE:   $14.36  
Product Type: Paperback - Other Formats
Published: January 1971
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: The lyric poetry of Tu Fu ranks with the greatest in all world literature. Across the centuries--Tu Fu lived in the T'ang Dynasty his poems come through to us with an immediacy that is breathtaking in Kenneth Rexroth's English versions.
Additional Information
BISAC Categories:
- Poetry | Anthologies (multiple Authors)
- Literary Criticism | Asian - General
- Poetry | Asian - General
Dewey: 895.1
LCCN: 00000000
Lexile Measure: 800
Series: New Directions Books
Physical Information: 0.43" H x 5.23" W x 8" (0.38 lbs) 160 pages
Themes:
- Cultural Region - Asian
 
Descriptions, Reviews, Etc.
Publisher Description:
The lyric poetry of Tu Fu ranks with the greatest in all world literature. Across the centuries--Tu Fu lived in the T'ang Dynasty (731-770)--his poems come through to us with an immediacy that is breathtaking in Kenneth Rexroth's English versions. They are as simple as they are profound, as delicate as they are beautiful.

Thirty-five poems by Tu Fu make up the first part of this volume. The translator then moves on to the Sung Dynasty (10th-12th centuries) to give us a number of poets of that period, much of whose work was not previously available in English. Mei Yao Ch'en, Su Tung P'o, Lu Yu, Chu Hsi, Hsu Chao, and the poetesses Li Ch'iang Chao and Chu Shu Chen. There is a general introduction, biographical and explanatory notes on the poets and poems, and a bibliography of other translations of Chinese poetry.

Contributor Bio(s): Rexroth, Kenneth: - Poet-essayist Kenneth Rexroth (1905-1982) was a high-school dropout, disillusioned ex-Communist, pacifist, anarchist, rock-climber, critic and translator, mentor, Catholic-Buddhist spiritualist and a prominent figure of San Francisco's Beat scene. He is regarded as a central figure of the San Francisco Renaissance and is among the first American poets to explore traditional Japanese forms such as the haiku.