The Presence of Camões: Influences on the Literature of England, America, and Southern Africa Contributor(s): Monteiro, George (Author) |
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ISBN: 0813119529 ISBN-13: 9780813119526 Publisher: University Press of Kentucky OUR PRICE: $28.50 Product Type: Hardcover - Other Formats Published: April 1996 Annotation: Of the great epic poets in the Western tradition, Luis Vaz de Camoes (c. 1524-1580) remains perhaps the least known outside his native Portugal, and his influence on literature in English has not been fully recognized. In this major work of comparative scholarship, George Monteiro thus breaks new ground. Combining textual analysis with cultural investigation, he focuses on English-language writers whose vision and expression have been sharpened by their varied responses to Camoes. Introduced to English readers in 1655, Camoes's work from the beginning appealed strongly to writers. His Os Lustadas so affected William Hayley's theory of the epic that he commissioned William Blake to paint Camoes's portrait and advised poet Joel Barlow to recast his New World epic along Camonean lines. Robert Southey's disappointment with Lord Strangford's translation of Camoes encouraged him to try his own versions. And the young Elizabeth Barrett's Camonean poems inspired Edgar Allan Poe to appropriate elements from the same source. Herman Melville's reading of Camoes bore fruit in his career-long borrowings from the Portuguese poet. Longfellow, T. W. Higginson, and Emily Dickinson read and championed Camoes. And Camoes as epicist and love poet is an eminence grise in several of Elizabeth Bishop's strongest Brazilian poems. Southern African writers have interpreted and reinterpreted Adamastor, Camoes's Spirit of the Cape, as a symbol of a dangerous and mysterious Africa and an emblem of European imperialism. |
Additional Information |
BISAC Categories: - Literary Criticism | American - General - Literary Criticism | European - Spanish & Portuguese - Literary Criticism | Poetry |
Dewey: 810.9 |
LCCN: 95-46725 |
Series: Studies in Romance Languages |
Physical Information: 0.77" H x 5.7" W x 8.77" (0.95 lbs) 200 pages |
Descriptions, Reviews, Etc. |
Publisher Description: Of the great epic poets in the Western tradition, Luis Vaz de Cam es (c. 1524- 1580) remains perhaps the least known outside his native Portugal, and his influence on literature in English has not been fully recognized. In this major work of comparative scholarship, George Monteiro thus breaks new ground, focusing on English-language writers whose vision and expression have been sharpened by their varied responses to Cam es. Introduced to English readers in 1655, Cam es's work from the beginning appealed strongly to writers. The young Elizabeth Barrett's Camonean poems, for example, inspired Edgar Allan Poe to appropriate elements from Cam es. Herman Melville's reading of Cam es bore fruit in his career-long borrowings from the Portuguese poet. Longfellow, T.W. Higginson, and Emily Dickinson read and championed Cam es. AndCam es as epicist and love poet is an minence grise in several of Elizabeth Bishop's strongest Brazilian poems. Southern African writers have interpreted and reinterpreted Adamastor, Cam es's Spirit of the Cape, as both a symbol of a dangerous and mysterious Africa and an emblem of European imperialism. Recognizing the presence of Cam es leads Monteiro to provocative rereadings of such texts as Dickinson's "Master" letters, Poe's "Raven," Melville's late poetry, and Bishop's Questions of Travel. |