| Albert Murray and the Aesthetic Imagination of a Nation Contributor(s): Baker, Barbara A. (Author), Rabb, Louis A. (Contribution by), Maguire, Roberta S. (Contribution by) |
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ISBN: 0817355936 ISBN-13: 9780817355937 Publisher: Pebble Hill Books OUR PRICE: $28.45 Product Type: Paperback - Other Formats Published: June 2010 |
| Additional Information |
| BISAC Categories: - Literary Criticism | American - African American |
| Dewey: 813.54 |
| LCCN: 2009044306 |
| Physical Information: 0.7" H x 5.9" W x 8.4" (0.90 lbs) 264 pages |
| Themes: - Ethnic Orientation - African American |
| Descriptions, Reviews, Etc. |
| Publisher Description: This collection consists of essays written by prominent African American literature, jazz, and Albert Murray scholars, reminiscences from Murray proteges and associates, and interviews with Murray himself. It illustrates Murray's place as a central figure in African American arts and letters and as an American cultural pioneer. Born in Nokomis, Alabama, and raised in Mobile, Albert Murray graduated from Tuskegee University, where he later taught, but he has long resided in New York City. He is the author of many critically acclaimed novels, memoirs, and essay collections, among them "The Omni-Americans," "South to a Very Old Place, Train Whistle Guitar," "The Spyglass Tree," and" The Seven League Boots." He is also a critic and visual artist, as well as a lifelong friend of and collaborator with artistic luminaries such as Ralph Ellison, Duke Ellington, and Romare Bearden. As such, his life and work are testaments to the centrality of southern and African American aesthetics in American art. Murray is widely viewed as a figure who, through his art and criticism, transforms the "fakelore" of white culture into a new folklore that illustrates the centrality of the blues and jazz idioms and reveals the black vernacular as what is most distinct about American art. |