Empty Moments: Cinema, Modernity, and Drift Contributor(s): Charney, Leo (Author) |
|
ISBN: 0822320908 ISBN-13: 9780822320906 Publisher: Duke University Press OUR PRICE: $24.65 Product Type: Paperback Published: April 1998 Annotation: In Empty Moments, Leo Charney describes the defining quality of modernity as "drift" - the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture's preoccupation with the reproduction of the present. Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust's conception of time/memory with Cubism's attempt to interpret time through perspective and Surrealism's exploration of subliminal representations of the present. Other topics include Husserl's insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin's laws of thermodynamics. Ultimately, Charney's work hints at parallels among such examples, the advent and popularity of cinema, and early film theory. |
Additional Information |
BISAC Categories: - Performing Arts | Film - History & Criticism - Performing Arts | Film - Reference - Social Science | Popular Culture |
Dewey: 791.430 |
LCCN: 97041661 |
Lexile Measure: 1300 |
Physical Information: 0.63" H x 5.56" W x 9.25" (0.70 lbs) 200 pages |
Descriptions, Reviews, Etc. |
Publisher Description: In Empty Moments, Leo Charney describes the defining quality of modernity as "drift"--the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture's preoccupation with the reproduction of the present. Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust's conception of time/memory with Cubism's attempt to interpret time through perspective and Surrealism's exploration of subliminal representations of the present. Other topics include Husserl's insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin's laws of thermodynamics. Ultimately, Charney's work hints at parallels among such examples, the advent and popularity of cinema, and early film theory. A book with a structural modernity of its own, Empty Moments will appeal to those interested in cinema and its history, as well as to other historians, philosophers, literary, and cultural scholars of modernity. |